James Joyce i Siergiej Eisenstein: historia jednego spotkania

Elena Kurant

Tytuły

Abstrakt

James Joyce and Siergei Eisenstein: A Story of One Meeting

This article considers the affinity, influences, and theoretical or ideological connections between two pioneers of 20th century – James Joyce, a novelist, poet, and one of the most important writers of Modernism, and Sergei Eisenstein, a Russian film director, film theorist, and author of the theory of montage practically illustrated in his movies. The author tries to describe the kinship between the stylistics of Joyce’s and Eisenstein’s works. Eisenstein’s theories of montage are very important for the study of Joyce, taking into account Joyce’s visions based on elements of film technique and the Modernist reception of the cinema, and his use of methods analogous to film montage. The meeting of the two creators in 1929 was a significant moment for both of them. Eisenstein stressed the connections between Joyce’s texts and his own work, which were meaningful in his search for ways to demonstrate the cinema’s links to other forms of art.

James Joyce and Siergei Eisenstein: A Story of One Meeting

This article considers the affinity, influences, and theoretical or ideological connections between two pioneers of 20th century – James Joyce, a novelist, poet, and one of the most important writers of Modernism, and Sergei Eisenstein, a Russian film director, film theorist, and author of the theory of montage practically illustrated in his movies. The author tries to describe the kinship between the stylistics of Joyce’s and Eisenstein’s works. Eisenstein’s theories of montage are very important for the study of Joyce, taking into account Joyce’s visions based on elements of film technique and the Modernist reception of the cinema, and his use of methods analogous to film montage. The meeting of the two creators in 1929 was a significant moment for both of them. Eisenstein stressed the connections between Joyce’s texts and his own work, which were meaningful in his search for ways to demonstrate the cinema’s links to other forms of art.

Słowa kluczowe

Sergei Eisenstein, James Joyce, Ulisses, the theory of montage, “inner monologue”

Bibliografia

Eco, U., Poetyki Joyce’a, Warszawa 1998.

Eichenbaum, B., Problemy stylistyki filmowej, [w:] Estetyka i film, red. A. Helman, Warszawa 1972.

Eisenstein, S., Wybór pism, Warszawa 1959.

Gołębiewska, M., Demontaż atrakcji, Kraków 2003, http://www.google.ru/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0CCEQFjAA&url=http%3A%2F\ %2Fwww.socjologia.amu.edu.pl%2Fisoc%2Fdownloads.php%3Fcat_id%3D1%26download_id%3D98&ei=NAiTU4CbO42y7AbYrYC4DQ&usg=AFQjCNHht_vl04phC4tKRjKnDQ_Ir51viw&bvm=bv.68445247,d.bGE [dostęp: 1.12.2014].

Helman, A., Co to jest kino? Panorama myśli filmowej, Warszawa1978.

Kamińska, M., Rzeczywistość wizualna jak ponowne zaczarowanie świata, s. 40, http://pl.scribd.com/doc/156601450/M-Kami%C5%84ska-Rzeczywisto%C5%9B%C4%87-wirtualna-jako-ponowne-zaczarowanie-%C5%9Bwiata-pdf [dostęp: 1.12.2014].

Leslie, E., Eisenstein – Joyce – Marx; cosmic, comic, Enclave Review, Ireland 2011, http://enclavereview.files.wordpress.com/2012/09/leslie-eisenstein-joyce-marx.pdf [dostęp: 1.12.2014].

Metoda, www.james-joyce.ru/articles/russkaya-odisseya-jeymsa-dzhoysa6.htm [dostęp: 1.12.2014].

Sheehan, T.W., Montage Joyce: Sergej Eisenstein, Dziga Vertov, and «Ulisses», „James Joyce Quarterly” 2006, vol. 42/43, no ¼.

Tall, E., Eisenstein on Joyce: Sergei Eisenstein’s Lecture on James Joyce at the State Institute of Cinematography, „James Joyce Quarterly” 1934,, November 1, vol. 24, no. 2, Tulsa 1987, http://www.jstor.org/discover/10.2307/25476792?uid=3738840&uid=2129&uid=2&uid=70&uid=4&sid=21104123990467 [dostęp: 1.12.2014: ].

Werner, G, Gunnemark, E., James Joyce and Sergei Eisenstein, „James Joyce Quarterly“ vol. 27, no. 3, Tulsa 1990.

Ахматова, A., Амедео Модильяни/ /А. Ахматова, Соч.: в 2-х тт., Москва 1996.

Гениева, E., Из-за Джойса, „Вестник Европы” 2005, no 15, 2005, http://magazines.russ.ru/vestnik/2005/15/ge41.html [dostęp: 1.12.2014].

Мирский, Д., Джеймс Джойс, http://www.james-joyce.ru/articles/russkaya-odisseya-jeymsa-dzhoysa19.htm [dostęp: 1.12.2014].

Радек, K., Современная мировая литература и задачи пролетарского искусства, http://www.james-joyce.ru/articles/russkaya-odisseya-jeymsa-dzhoysa41.htm [dostęp:1.12.2014].

Шкловский, B., Из книги «Дневник», http://www.james-joyce.ru/articles/russkaya-odisseya-jeymsa-dzhoysa46.htm [dostęp: 1.12.2014].

Эйзенштей, C., Гордость, www.james-joyce.ru/articles/russkaya-odisseya-jeymsa-dzhoysa25.htm [dostęp: 1.12.2014].

Эйзенштейн, C., Из книги Метод, http://www.james-joyce.ru/articles/russkaya-odisseya-jeymsa-dzhoysa6.htm [dostęp: 1.12.2014].

Эйзенштейн, C., Избранные произведения. В 6-ти т., т. 5, Москва 1963.

Informacje

Informacje: Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2014, Volume 9, Issue 4, s. 247 - 255

DOI: https://doi.org/10.4467/20843933ST.14.019.3066

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

James Joyce i Siergiej Eisenstein: historia jednego spotkania

Angielski:

James Joyce and Serge Eisenstein: The Story of One Meeting

Autorzy

Elena Kurant

Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków

Publikacja: 19.12.2014

Status artykułu: Otwarte

Licencja: Żadna

Udział procentowy autorów:

Elena Kurant (Autor) - 100%

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