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Wyobraźnia technologiczna i problem tożsamości we współczesnym filmie japońskim

Data publikacji: 15.12.2011

Przegląd Kulturoznawczy, 2011, Numer 1 (9) , s. 127 - 142

https://doi.org/10.4467/20843860PK.11.012.0233

Autorzy

Krzysztof Loska
Uniwersytet Jagielloński w Krakowie, Instytut Sztuk Audiowizualnych, Kraków
, Polska
https://orcid.org/0000-0003-4078-798X Orcid
Wszystkie publikacje autora →

Tytuły

Wyobraźnia technologiczna i problem tożsamości we współczesnym filmie japońskim

Abstrakt

Technological imagination and the question of identity in contemporary Japanese
Popular convictions as to character of Japanese culture are dominated by the orientalist stereotypes that include self-contradicting images of a society that is traditional and at the same time modern and technology-based. The ambiguous portrait of Japan seems to a certain extent justified, if one takes into account the transformation that took place throughout the 20th century and which gave rise to a new model of culture that was shaped thanks to a unique combination of various elements, both native and foreign. I am planning to focus on the impact of the mass media on the awareness and an everyday life of the Japanese people. Besides, I am going to consider the extent as to which the new environment has been transformed by the information revolution. For my research I shall use the contemporary cinema which perfectly reflects cultural issues of the nation in the process of the vehement social change, and which shows the hopes and fears of the future

Bibliografia

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Browna S. T., Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture, New York: Palgrave Macmillan 2010

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Gardner W., Cyber Sublime and the Virtual Mirror: Information and Media in the Works of Oshii Mamoru and Kon Satoshi, “Canadian Journal of Film Studies” 2009, vol. 18, nr 1.

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Kinsella S.,Japanese Subculture in the 1990s: Otaku and the Amateur Manga Movement, “Journal of Japanese Studies” 1998, vol. 24, nr 2, s. 289-316.

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McRoy J., Nightmare Japan: Contemporary Japanese Horror Cinema, Amsterdam – New York: Rodopi 2008, s. 164-168.

Mes T., Requiem for a Dream: the Films of Satoshi Kon Bring the Depths of the Subconscious into Bright Anime Light, “Film Comment” 2007, vol. 43, nr 2.

Monnet L., Towards the feminine sublime, or the story of ‘a twinkling monad, shape-shifting across dimension’: intermediality, fantasy and special effects in cyberpunk film and animation, “Japan Forum” 2002, vol. 14, nr 2, s. 225–268.

Monnet L., Towards the feminine sublime, or the story of ‘a twinkling monad, shape-shifting across dimension’: intermediality, fantasy and special effects in cyberpunk film and animation, “Japan Forum” 2002, vol. 14, nr 2, s. 225–268.

Napier S. J., Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation, New York: Palgrave 2005..

Napier S. J., When the Machines Stop: Fantasy, Reality, and the Terminal Identity in Neon Genesis Evangelion and Serial Experiments: Lain, [w:] Robot Ghosts and Wired Dreams, Japanese Science Fiction from Origins to Anime, red. C. Bolton, I. Csicsery-Ronay, Minneapolis: University of Minnesota Press 2007.

Osmond A., Nausicaa and the Fantasy of Hayao Miyazaki, “Foundation: The International Review of Science Fiction” 1998, vol. 72, pp. 57-80.

Ozawa-de Silva C., Too Lonely to Die Alone: Internet Suicide Pacts and Existential Suffering in Japan, „Cult Med Psychiatry” 2008, nr 32, s. 516–551.

Pinguet M., Śmierć z wyboru w Japonii, przeł. B. Kubiak Ho-Chi, Kraków: Universitas 2007.

Ruh B., Cyborg Adolescence in FLCL, [w:] Cinema Anime, red. S.T. Brown, New York: Palgrave Macmillan 2006.

Ruh B., Stray Dog of Anime. The Films of Mamoru Oshii, New York: Palgrave 2004, s. 96-97, 114-115.

Sharp J., Behind the Pink Curtain: The Complete History of Japanese Sex Cinema, Godalming: FAB Press 2008, s. 266.

Wada-Marciano M. J-Horror: New Media's Impact on Contemporary Japanese Horror Cinema, „Canadian Journal of Film Studies” 2007, vol. 16, nr 2.

White E., Case Study: Nakata Hideo’s Ringu and Ringu 2, [w:] Japanese Horror Cinema, red. J. McRoy, Honolulu: University of Hawai’i Press 2005.

White J, The Films of Kiyoshi Kurosawa, Berkeley: Stone Bridge Press 2007.

Wolfe A. , Suicide and the Japanese Postmodern: A Postmodern Paradigm, „South Atlantic Quarterly” 1988, vol. 87, nr 3, s. 571-589.

Wolmark J., Staying with the Body: Narratives of the Posthuman in Contemporary Science Fiction, [w:] Edging into the Future, red. V. Hollinger, J. Gordon, Philadelphia: University of Pennsylvania Press 2002.

Yumeno K. Horror and Machines in the Prewar Japan: The Mechanical Uncanny in Yumeno Kyūsaku Dogura mogura, [w:] Robot Ghosts and Wired Dreams: Japanese Science Fiction from Origins to Anime, red. C. Bolton, I. Csicsery-Ronay, Minneapolis: University of Minnesota Press 2007, s. 3-26.

Informacje

Informacje: Przegląd Kulturoznawczy, 2011, Numer 1 (9) , s. 127 - 142

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

Wyobraźnia technologiczna i problem tożsamości we współczesnym filmie japońskim

Angielski:

Technological imagination and the question of identity in contemporary Japanese

Autorzy

https://orcid.org/0000-0003-4078-798X

Krzysztof Loska
Uniwersytet Jagielloński w Krakowie, Instytut Sztuk Audiowizualnych, Kraków
, Polska
https://orcid.org/0000-0003-4078-798X Orcid
Wszystkie publikacje autora →

Uniwersytet Jagielloński w Krakowie, Instytut Sztuk Audiowizualnych, Kraków
Polska

Publikacja: 15.12.2011

Status artykułu: Otwarte __T_UNLOCK

Licencja: Żadna

Udział procentowy autorów:

Krzysztof Loska (Autor) - 100%

Korekty artykułu:

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Języki publikacji:

Polski