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The application of modern analytical techniques to the examination
of the Henryk Siemiradzki’s large-size painting „Nero’s
Torches”

Data publikacji: 03.06.2016

Opuscula Musealia, Volume 23 (2015), Volume 23, s. 83 - 99

https://doi.org/10.4467/20843852.OM.15.008.5386

Autorzy

,
Dominika Sarkowicz
Muzeum Narodowe w Krakowie
Wszystkie publikacje autora →
,
Marzena Sieklucka
Muzeum Narodowe w Krakowie
Wszystkie publikacje autora →
,
Anna Klisińska-Kopacz
Muzeum Narodowe w Krakowie
https://orcid.org/0000-0001-6637-7116 Orcid
Wszystkie publikacje autora →
,
Paweł Frączek
Muzeum Narodowe w Krakowie
Wszystkie publikacje autora →
,
Michał Obarzanowski
Muzeum Narodowe w Krakowie
Wszystkie publikacje autora →
Piotr Frączek
Muzeum Narodowe w Krakowie
Wszystkie publikacje autora →

Tytuły

The application of modern analytical techniques to the examination
of the Henryk Siemiradzki’s large-size painting „Nero’s
Torches”

Abstrakt

Nero’s Torches by Henryk Siemiradzki is one of the most important and the largest in size paintings in the collection of the National Museum in Kraków. In 1879, the painter donated his famous work to the nation. It was assigned to the Cloth Hall. By this act the artist initiated the start of the first national museum in Poland.
The painting was thoroughly examined in order to identify the technology and technique of its production, elements of the creative process and the use of materials. Tests in situ of such a large work (3.76 m x 7.11 m) were possible thanks to the use of modern techniques and mobile analytical equipment.
X-ray, IR and UV photos of the painting were taken. In view of the large size of the painting, 236 snapshots using X-ray radiography (DX) equipped with CARESTREAM DRX-1 System detector were needed to obtain an X-ray image of the entire painting. Then pictures obtained from individual snapshots were put together using Photoshop CS6 computer programme to cover the entire painting. UV and IR images consisted of 26 snapshots. Pictures in analytical radiation and visible light helped to better understand the painting technique, the method of painting individual parts, preparatory drawing and the creative process. Numerous changes of the painting concept (pentimenti) were revealed.
In order to identify pigments used by the painter, non-invasive XRF spectroscopy technique was applied using two spectrometers of Bruker AXS Microanalysis manufacture. Eighty measurements were taken in the lower part of the painting using portable spectrophotometer μXRF ArtTAX®, other parts were examined using handheld spectrometer Tracer III and working on the scaffolding (165 measurements). Non-invasive tests were complemented by other methods using sampling (XRPD, microscopy and microchemical analysis, SEM EDX, FTIR, HPLC). Data obtained allowed to identify pigments applied and the way they were bound in the painting. In view of the large size of the painting, the scope of the analysis can be considered unusual or even record-breaking.
 

Bibliografia

Church A., The Chemistry of Paints and Painting, London 1890.

Doerner M., Materiały malarskie i ich zastosowanie, Warszawa 1975.

Dużyk J., Siemiradzki. Opowieść biograficzna, Warszawa 1986.

EastaughN., WalshV., Chaplin T., and Siddall R., Pigment Compendium: A Dictionary and Optical Microscopy of Historic Pigments, New York 2013.

Field G., Chromatography; or A Treatise on Colours and Pigments and of Their Powers in Painting, London 1841.

Fitzhugh E.W. (ed.), Artists’ Pigments: A Handbook of their History and Characteristics, Vol. 3, National Gallery of Art, Washington, D.C., 1997.

Forstner D., Świat symboliki chrześcijańskiej, Warszawa 1990.

Gettens R.J., Stout G.L., Painting Materials: A Short Encyclopedia, Dover–New York 1966.

Gorzelany D., Zabytki rzymskie źródłem inspiracji malarskiej „Pochodni Nerona” Henryka Siemiradzkiego, “Rozprawy Muzeum Narodowego w Krakowie”, vol. VI, Kraków 2013.

Jęcki K., „Pochodnie Nerona” Henryka Siemiradzkiego, “Modus. Prace z Historii Sztuki” 2009, s. 8–9.

Karpova T., Genrih Semiradzkij, Sankt Petersburg 2008.

McGlinchey C., Handheld XRF for the Examination of Paintings: Proper Use and Limitations [in:] Handheld XRF for Art and Archaeology, A.N. Shugar and J.L. Mass (ed.), “Studies
in Archaeological Sciences” 2012, vol. 3.

www.bruker.com/products/x-ray-diffraction-and-elemental-analysis/handheld-xrf/tracer-iii/technical-details.html.

Unpublished sources

The documentation of the following pictures’ examination: Sarkowicz D., Roman Rural Woman (Fishing),Artist Alexander Stankiewicz, The Leading Light of Christianity (oil sketch to the Nero’s Torches), Martyrdom of St. Timothy and his wife Maura,View from a Bay from a Rocky Shore (paintings belonging to the National Museum in Warsaw);Landscape with Figures, Girl at a Well, Ruins of a Roman Villa (paintings belonging to the National Museum in Kraków).

 

 

Sarkowicz D., SiekluckaM., In Spring (picture belonging to The Royal Wawel Castle Museum).

Sieklucka M.: by H. Siemiradzki: Christ Amongst Children, By the Source, Calvary (paintings belonging to the National Museum in Warsaw), Portrait of Mother, Portrait of the Son Leoś (paintings belonging to the National Museum in Kraków).

Siemiradzki H., unpublished  notebook, The National Museum in Krakow Collection, inventory number NI 318439.

Zygier E., Klincewicz-Krupińska R., Czop J., Dokumentacja konserwatorska. Henryk Siemi-radzki „Pochodnie Nerona, Świeczniki chrześcijaństwa”, Kraków 2004.

Informacje

Informacje: Opuscula Musealia, Volume 23 (2015), Volume 23, s. 83 - 99

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

The application of modern analytical techniques to the examination
of the Henryk Siemiradzki’s large-size painting „Nero’s
Torches”

Angielski:

The application of modern analytical techniques to the examination
of the Henryk Siemiradzki’s large-size painting „Nero’s
Torches”

Autorzy

Muzeum Narodowe w Krakowie

Muzeum Narodowe w Krakowie

https://orcid.org/0000-0001-6637-7116

Anna Klisińska-Kopacz
Muzeum Narodowe w Krakowie
https://orcid.org/0000-0001-6637-7116 Orcid
Wszystkie publikacje autora →

Muzeum Narodowe w Krakowie

Muzeum Narodowe w Krakowie

Muzeum Narodowe w Krakowie

Muzeum Narodowe w Krakowie

Publikacja: 03.06.2016

Status artykułu: Otwarte __T_UNLOCK

Licencja: Żadna

Udział procentowy autorów:

Dominika Sarkowicz (Autor) - 16%
Marzena Sieklucka (Autor) - 16%
Anna Klisińska-Kopacz (Autor) - 16%
Paweł Frączek (Autor) - 16%
Michał Obarzanowski (Autor) - 16%
Piotr Frączek (Autor) - 20%

Korekty artykułu:

-

Języki publikacji:

Angielski