The application of modern analytical techniques to the examination
of the Henryk Siemiradzki’s large-size painting „Nero’s
Torches”
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The application of modern analytical techniques to the examination
of the Henryk Siemiradzki’s large-size painting „Nero’s
Torches”
Data publikacji: 03.06.2016
Opuscula Musealia, Volume 23 (2015), Volume 23, s. 83 - 99
https://doi.org/10.4467/20843852.OM.15.008.5386Autorzy
The application of modern analytical techniques to the examination
of the Henryk Siemiradzki’s large-size painting „Nero’s
Torches”
Nero’s Torches by Henryk Siemiradzki is one of the most important and the largest in size paintings in the collection of the National Museum in Kraków. In 1879, the painter donated his famous work to the nation. It was assigned to the Cloth Hall. By this act the artist initiated the start of the first national museum in Poland.
The painting was thoroughly examined in order to identify the technology and technique of its production, elements of the creative process and the use of materials. Tests in situ of such a large work (3.76 m x 7.11 m) were possible thanks to the use of modern techniques and mobile analytical equipment.
X-ray, IR and UV photos of the painting were taken. In view of the large size of the painting, 236 snapshots using X-ray radiography (DX) equipped with CARESTREAM DRX-1 System detector were needed to obtain an X-ray image of the entire painting. Then pictures obtained from individual snapshots were put together using Photoshop CS6 computer programme to cover the entire painting. UV and IR images consisted of 26 snapshots. Pictures in analytical radiation and visible light helped to better understand the painting technique, the method of painting individual parts, preparatory drawing and the creative process. Numerous changes of the painting concept (pentimenti) were revealed.
In order to identify pigments used by the painter, non-invasive XRF spectroscopy technique was applied using two spectrometers of Bruker AXS Microanalysis manufacture. Eighty measurements were taken in the lower part of the painting using portable spectrophotometer μXRF ArtTAX®, other parts were examined using handheld spectrometer Tracer III and working on the scaffolding (165 measurements). Non-invasive tests were complemented by other methods using sampling (XRPD, microscopy and microchemical analysis, SEM EDX, FTIR, HPLC). Data obtained allowed to identify pigments applied and the way they were bound in the painting. In view of the large size of the painting, the scope of the analysis can be considered unusual or even record-breaking.
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Unpublished sources
The documentation of the following pictures’ examination: Sarkowicz D., Roman Rural Woman (Fishing),Artist Alexander Stankiewicz, The Leading Light of Christianity (oil sketch to the Nero’s Torches), Martyrdom of St. Timothy and his wife Maura,View from a Bay from a Rocky Shore (paintings belonging to the National Museum in Warsaw);Landscape with Figures, Girl at a Well, Ruins of a Roman Villa (paintings belonging to the National Museum in Kraków).
Sarkowicz D., SiekluckaM., In Spring (picture belonging to The Royal Wawel Castle Museum).
Sieklucka M.: by H. Siemiradzki: Christ Amongst Children, By the Source, Calvary (paintings belonging to the National Museum in Warsaw), Portrait of Mother, Portrait of the Son Leoś (paintings belonging to the National Museum in Kraków).
Siemiradzki H., unpublished notebook, The National Museum in Krakow Collection, inventory number NI 318439.
Zygier E., Klincewicz-Krupińska R., Czop J., Dokumentacja konserwatorska. Henryk Siemi-radzki „Pochodnie Nerona, Świeczniki chrześcijaństwa”, Kraków 2004.
Informacje: Opuscula Musealia, Volume 23 (2015), Volume 23, s. 83 - 99
Typ artykułu: Oryginalny artykuł naukowy
Tytuły:
The application of modern analytical techniques to the examination
of the Henryk Siemiradzki’s large-size painting „Nero’s
Torches”
The application of modern analytical techniques to the examination
of the Henryk Siemiradzki’s large-size painting „Nero’s
Torches”
Muzeum Narodowe w Krakowie
Muzeum Narodowe w Krakowie
Muzeum Narodowe w Krakowie
Muzeum Narodowe w Krakowie
Muzeum Narodowe w Krakowie
Muzeum Narodowe w Krakowie
Publikacja: 03.06.2016
Status artykułu: Otwarte
Licencja: Żadna
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