Ołeh Rudenko
Romanica Cracoviensia, Tom 10, Numer 1, Tom 10 (2010), s. 135 - 156
Ołeh Rudenko
Zarządzanie w Kulturze, Tom 13, Numer 3, 2012, s. 263 - 271
https://doi.org/10.4467/20843976ZK.12.019.0633National-religious teachings of Modest Sosenko
The article is dedicated to the artistic output of a famous Ukrainian artist of the beginning of 20th century Modest Sosenko. He is famous for reviving the tradition of Church painting based on the Byzantine tradition and folk art. One of his best works which has been preserved until today – the polychrome of St. Michael Church in the village of Pidberiztci has been analyzed.
Ołeh Rudenko
Zarządzanie w Kulturze, Tom 14, Numer 2, 2013, s. 133 - 149
https://doi.org/10.4467/20843976ZK.13.009.1245On Count Wojciech Dzieduszycki Views of Church Art
The article looks at Count Wojciech Dzieduszycki’s (1848–1909) ideas on church art. His approach to sacred art and individual pieces of art is presented through the analysis of his attitude to 15-17thcentury paintings in Halychyna. The count paid special attention to the iconstasis from the village of Bohorodchany (Ukraine), whose artistic value he appreciated highly, and which he considered equal to works of art by early Renaissance painters. Dzieduszycki claimed that the local church art, having preserved the basic Greek elements and giving new life to the Byzantine canon, by no means rejected the Christian mysticism distinctive of the Western art, but rather, on the contrary, added a unique artistic fl air to it. He acknowledged the aesthetic value of the works of Rus’ art, as well as their high professional level.