The protestant rewriting of de Baïf‘s Psalms: les Pseaumes en vers mezurez by Odet de La Noue with Claude Le Jeune’s music ( 2th part)
Isabelle Garnier, starting from the recurrence of the holy name « grand Dieu » to refer to God, compares La Noue’s paraphrase to Marot’s and Baïf’s texts, and defines it on both theological and poetical levels as a kind of musical epexegesis, which leaded the singer to the core of reformed faith.
