Jim “Under a Cloud”: The Career of a Leitmotif

Nic Panagopoulos

Jim “Under a Cloud”: The Career of a Leitmotif

Publication date: 17.05.2018

Yearbook of Conrad Studies, 2017, Vol. 12, pp. 59 - 69

https://doi.org/10.4467/20843941YC.17.004.8661

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Jim “Under a Cloud”: The Career of a Leitmotif

Abstract

The present paper begins by arguing that, unlike the omnipresent phrase “one of us” in Lord Jim which has two easily identifiable primary sources, namely Genesis 3:22 and Poetics II, the source of the related poetic leitmotif which imagines grief or shame as a clouded sky is multiple and protean. What Conrad called “the common expressions, ‘under a cloud’” (LJ 259) is shown to have travelled through such grand narratives as Homer’s Iliad (750-700 BC), Sophocles’ Antigone (442-441 BC), and Euripides’ Hippolytus (428 BC), before gracing the pages of Lord Jim. In the shame culture of epic, the clouded-sky motif is identified as signaling the warrior’s rising ire through the pathetic fallacy. In tragedy, on the other hand, the same motif in conjunction with the convention of the theatrical mask is said to signify the opaqueness and inaccessibility of the human psyche which necessitates the construction of identity while facilitating the production of scapegoats. However, in keeping with the anti-Gnostic pessimism that Conrad shares with the Greek tragedians, Lord Jim presents the ontological and moral fog surrounding the protagonist as a blessing in disguise since, as Oedipus’ fate illustrates, there may be more danger finally in being understood than in being misunderstood. Thus, given that Jim is “one of us”, his clouded countenance—akin to a mask shielding an actor’s face from himself as much as from the audience—is presented by the novel as humanity’s last line of defense against tragic knowledge.

Keywords

Lord Jim, “under a cloud”, intertext, Homeric epic, shame culture, kleos, poetic formulas, Greek tragedy, theatrical mask, construction of identity, recognition, pessimism, tragic knowledge

References

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Information

Information: Yearbook of Conrad Studies, 2017, Vol. 12, pp. 59 - 69

DOI: https://doi.org/10.4467/20843941YC.17.004.8661

Article type: Original article

Authors

Nic Panagopoulos

English Literature & Culture at the Department of English Language & Literature, National & Kapodistrian University of Athens, Greece, National and Kapodistrian University of Athens

University of A. Stulginskis, Kaunas

Published at: 17.05.2018

Article status: Open

Licence: CC BY-NC-ND

Percentage share of authors:

Nic Panagopoulos (Author) - 100%

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English

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