Dic mihi si in Jerusalem eras: figura Mater dolorosa w Historii o bolesnej Męce Oliwiera Maillarda (XV w.)

Katarzyna Dybeł

Titles

Dic mihi si in Jerusalem eras: figura Mater dolorosa w Historii o bolesnej Męce Oliwiera Maillarda (XV w.)

Abstract

Dic mihi si in Jerusalem eras : the figure of Mater Dolorosa in Istoire de la Passion douloureuse by Olivier Maillard (15th c.)

The article analyses the functioning of the figure of Mater Dolorosa in Istoire de la Passion douloureuse, the work belonging to the literary genre of passions en prose, written by Olivier Maillard (ca. 1430–1502), a French Observant and reformer of the Franciscan order.

The figure of Mater Dolorosa, present across the entire space of the work as a defining fac- tor of theMarian motif inscribed into the action, becomes a means of conveying the specific poetic of sufferingand death which operates by referring to the triple category of word, silence and look. By presenting theVirgin Mary as a co-sufferer in Jesus’ Passion and a participant in Christ’s Redemptive Mission, itfurthermore defines the theological perspective of Maillard’s work. Thanks to the inclusion of the figure ofMater Dolorosa Istoire de la Passion douloureuse not onl gets enriched with numerous lyrical elements,but it also appears as a very good example of locus theologicus – the meeting place of literature and theology.

The article analyses the functioning of the figure of Mater Dolorosa in Istoire de la Passion douloureuse, the work belonging to the literary genre of passions en prose, written by Olivier Maillard (ca. 1430–1502), a French Observant and reformer of the Franciscan order.

The figure of Mater Dolorosa, present across the entire space of the work as a defining fac- tor of the Marian motif inscribed into the action, becomes a means of conveying the specific poetic of suffering and death which operates by referring to the triple category of word, silence and look. By presenting the Virgin Mary as a co-sufferer in Jesus’ Passion and a participant in Christ’s Redemptive Mission, it furthermore defines the theological perspective of Maillard’s work. Thanks to the inclusion of the figure of Mater Dolorosa Istoire de la Passion douloureuse not only gets enriched with numerous lyrical elements, but it also appears as a very good example of locus theologicus – the meeting place of literature and theology.

Keywords

Istoire de la Passion douloureuse, Mater Dolorosa, wątki maryjne, literatura francuska XV wieku, passions en prose, średniowieczna mariologia, locus theologicus. ; Istoire de la Passion douloureuse, the figure of Mater Dolorosa, Marian motifs, French literature of the 15th centuries, medieval Mariology, locus theologicus.

Istoire de la Passion douloureuse, the figure of Mater Dolorosa, Marian motifs, French literature of the 15th centuries, passions en prose, medieval Mariology, locus theologicus.

References

Analizowany tekst źródłowy

Olivier Maillard, Istoire de la Passion douloureuse, wydanie i przypisy T. Steiner, Bern–Berlin–Bruxelles–Frankfurt/M.–New York–Oxford–Wien 2001.

Konsultowane teksty źródłowe

Liber de Passione Christi et doloribus et planctibus Matris eius, PL 182.

Pismo Święte Starego i Nowego Testamentu. Najnowszy przekład zjęzyków oryginalnych z komentarzem, opracował Zespół Biblistów Polskich zinicjatywy Towarzystwa Świętego Pawła, Edycja Świętego Pawła, Częstochowa 2008.

Opracowania krytyczne

Dąbrówka A., Teatr i sacrum w średniowieczu. Religia – cywilizacja – estetyka, wyd. 2, Toruń 2013.

L’agiografia volgare. Tradizioni di testi, motivi e linguaggi. Atti del congresso internazionale,Klagenfurt, 15–16 gennaio 2015, ed. E. De Roberto, R. Wil- helm, Heidelberg 2016.

Landsberg J. de, L’art en croix: le thème de la crucifixion dans l’histoire de l’art, Tournai 2001.

La Vierge Marie dans la littérature française. Entre foi et littérature. Colloque organisé parlelaboratoire HCTI, Université de Bretagne-Sud, 31 mai–1er juin 2013, éd. J.-L. Benoît, Lyon 2014.

Littérature et religion au Moyen Âge et à la Renaissance, éd. J.-C. Vallecalle, Lyon 1997.

Meynet R., Wprowadzenie do hebrajskiej retoryki biblijnej, przeł. K. Łukowicz, T. Kot SJ, Kraków 2001.

Szymik J., W poszukiwaniu teologicznej głębi literatury. Literatura piękna jako locus theologicus, Katowice 1994.

Opracowania ogólne

Encyklopedia katolicka, t. 4, red. R. Łukaszyk, L. Bieńkowski, F. Gryglewicz, Lublin 1983.

Greimas A. J., Dictionnaire de l’ancien français. Le Moyen Age, Paris 1992. Lausberg H.,Retorykaliteracka. Podstawy wiedzy o literaturze, tłum., oprac. i wstęp A. Gorzkowski, Bydgoszcz 2002.

Sherwin B. L., Abraham Joshua Heschel, tłum. M. Kapera, Kraków 2003.

Textual History of the Bible. The Hebrew Bible, Volume 1B. Pentateuch Former and Latter Prophets, eds. A. Lange, E. Tov, ed. 2, Leiden–Boston 2016.

Information

Information: Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2019, Volume 14, Issue 2, pp. 79 - 88

DOI: https://doi.org/10.4467/20843933ST.19.008.10312

Article type: Original article

Titles:

Polish:

Dic mihi si in Jerusalem eras: figura Mater dolorosa w Historii o bolesnej Męce Oliwiera Maillarda (XV w.)

English:

Dic mihi si in Jerusalem eras : the figure of Mater Dolorosa in Istoire de la Passion douloureuse by Olivier Maillard (15th c.)

Authors

Katarzyna Dybeł

https://orcid.org/0000-0002-6259-732X

Institute of Romance Studies, Jagiellonian University in Krakow
Poland

Published at: 06.2019

Article status: Open

Licence: CC BY-NC-ND

Percentage share of authors:

Katarzyna Dybeł (Author) - 100%

Article corrections:

-

Publication languages:

Polish

View count: 487

Number of downloads: 650

<div id="cke_pastebin"> <em>Dic mihi si in Jerusalem eras</em> : the figure of Mater Dolorosa<em> in Istoire de la Passion douloureuse </em>by Olivier Maillard (15th c.)</div>

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