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O konotacjach kolorystycznych w kulturze chińskiej – biały i czarny 

Publication date: 23.10.2019

Gdansk Journal of East Asian Studies, 2019, Issue 15, pp. 83 - 88

https://doi.org/10.4467/23538724GS.19.006.11180

Authors

Wu Lan
Instytut Konfucjusza przy Uniwersytecie Gdańskim
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Titles

O konotacjach kolorystycznych w kulturze chińskiej – biały i czarny 

Abstract

COLOUR CONNOTATIONS IN CHINESE CULTURE: WHITE AND BLACK

The ancient peoples of China considered crimson, blue-green, yellow, white and back to be the five primary colours that gave rise to the universe and Earth. Then, according to the theory of the Five Elements that make up the universe, i.e. Earth (土 – tu), Wood (木 – mu), Fire (火 – huo), Water (水 – shui) and Metal (金 – jin), five directions were set: East, South, West, North and Centre, to which specific colour combinations were assigned. The colours implied a number of diverse cultural concepts associated with, e.g. the role of power, philosophical theories, rituals and beliefs. Gradually a new colour system came into being and became an important value in traditional Chinese culture. This article looks at the meaning of white (白 – bai) and black (黑 – hei).

Information

Information: Gdansk Journal of East Asian Studies, 2019, Issue 15, pp. 83 - 88

Article type: Original article

Titles:

Polish:

O konotacjach kolorystycznych w kulturze chińskiej – biały i czarny 

English:

Colour connotations in Chinese culture: White and black 

Authors

Instytut Konfucjusza przy Uniwersytecie Gdańskim

Published at: 23.10.2019

Article status: Open

Licence: CC BY  licence icon

Percentage share of authors:

Wu Lan (Author) - 100%

Article corrections:

-

Publication languages:

Polish

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Number of downloads: 1146

<p> Colour connotations in Chinese culture: White and black </p>