Colour connotations in Chinese culture: White and black
cytuj
pobierz pliki
RIS BIB ENDNOTEChoose format
RIS BIB ENDNOTEO konotacjach kolorystycznych w kulturze chińskiej – biały i czarny
Publication date: 23.10.2019
Gdansk Journal of East Asian Studies, 2019, Issue 15, pp. 83 - 88
https://doi.org/10.4467/23538724GS.19.006.11180Authors
O konotacjach kolorystycznych w kulturze chińskiej – biały i czarny
The ancient peoples of China considered crimson, blue-green, yellow, white and back to be the five primary colours that gave rise to the universe and Earth. Then, according to the theory of the Five Elements that make up the universe, i.e. Earth (土 – tu), Wood (木 – mu), Fire (火 – huo), Water (水 – shui) and Metal (金 – jin), five directions were set: East, South, West, North and Centre, to which specific colour combinations were assigned. The colours implied a number of diverse cultural concepts associated with, e.g. the role of power, philosophical theories, rituals and beliefs. Gradually a new colour system came into being and became an important value in traditional Chinese culture. This article looks at the meaning of white (白 – bai) and black (黑 – hei).
Information: Gdansk Journal of East Asian Studies, 2019, Issue 15, pp. 83 - 88
Article type: Original article
Titles:
O konotacjach kolorystycznych w kulturze chińskiej – biały i czarny
Colour connotations in Chinese culture: White and black
Instytut Konfucjusza przy Uniwersytecie Gdańskim
Published at: 23.10.2019
Article status: Open
Licence: CC BY
Percentage share of authors:
Article corrections:
-Publication languages:
PolishView count: 1397
Number of downloads: 1146