Faculty of Languages - University of Gdańsk
The Mask at the CRICOT1 Theatre: From the Pictorial to the « Operative » Gesture
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RIS BIB ENDNOTEPublication date: 31.03.2022
Cahiers ERTA, 2022, Numéro 29, pp. 132 - 150
https://doi.org/10.4467/23538953CE.22.005.15626Authors
Le masque au théâtre CRICOT1 : du geste pictural au geste « opératoire »
The aim of this paper is to describe the beginnings, rather unknown, of the CRICOT theatre and to demonstrate the evolution which took place between the first show of CRICOT1 and the last piece performed in 1938. Focusing on the manners of treating the scenic object, the scenography, the costumes and the masks, the paper analyses the transformation of the amateur theatre: artistic, satirical, visual and comic into quasi-professional theatre, carrying an existential message. Message to be developed afterward by the world-famous collective, reformer of the European stages: Tadeusz Kantor’s CRICOT2.
Chollet J., « LA CLASSE MORTE, Tadeusz Kantor », https://www.universalis.fr/encyclopedie/la-classe-morte/#i_97655.
Figiel J., Cricot idzie, Kraków, CRICOTEKA, 2018.
Lau J., Teatr artystów. Cricot, Kraków, Wydawnictwo Literackie, 1967.
Le Grand G., Juste devant le Miroir, [dans :] [s.n.], Kantor et après, Catalogue d’exposition, Orléans, 2000.
Mazur-Fedak J., Józef Jarema w międzywojennym teatrze, Kraków, Universitas, 2008.
Information: Cahiers ERTA, 2022, Numéro 29, pp. 132 - 150
Article type: Original article
Titles:
The Mask at the CRICOT1 Theatre: From the Pictorial to the « Operative » Gesture
University of Gdańsk
ul. Bażyńskiego 1a 80-952 Gdańsk, Poland
Published at: 31.03.2022
Article status: Open
Licence: CC BY
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