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The Desert Called America: Poetry of Boris Maruna and American Popular Culture

Data publikacji: 27.03.2018

Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2018, Volume 13, Issue 1, s. 25 - 39

https://doi.org/10.4467/20843933ST.18.003.8281

Autorzy

Ivica Matičević
Chorwacka Akademia Nauk i Sztuk, Zagrzeb, Chorwacja
https://orcid.org/0000-0001-7904-6113 Orcid
Wszystkie publikacje autora →

Tytuły

The Desert Called America: Poetry of Boris Maruna and American Popular Culture

Abstrakt

In the poetry of Boris Maruna (1940–2007), a Croatian modernist poet who is, together with Viktor Vida, considered the best Croatian emigrant poet, one can see the influences of American popular culture of the 1960s and 1970s. By living on three continents – Europe, South America, and North America – and having gained education in Los Angeles, Maruna incorporated into his poetic code some of the fundamental and typical determinants of American cultural and subcultural lifestyle. Fast food, television, film, rock/pop music, cars, freedom of sexual behavior… are some of the adopted forms of American culture that Maruna in his narrative poems both thematizes and advocates, but also questions in an extremely critical way. Irony, humor and strong satire represent the aesthetic aspects by which Maruna reveals the hypocritical, vain, and existential face of the United States of America of that period. On the other hand, like a distant Arcadia, there are landscapes and symbols of the homeland that he abandoned, and the desire to one day return into its physical spaces. However, even the so desired homeland cannot go without critical invectives and poetically ironic comments. Even then, Maruna’s liberal “unadjusted” consciousness makes itself heard, outside all the dictates of expected behavior, thus completely isolating him from the matrix of Croatian emigration poets.

Bibliografia

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Fiske J., Understanding Popular Culture, London 1991. 

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Ileš T., The 1960s in Croatian Literature and Culture, Osijek 2013.

Kragić B., Maruna, Boris [in:] Hrvatska književna enciklopedija /Croatian Literary Encyclopedia, Zagreb 2011, vol. 3 (Ma–R), p. 21–22.

Kragić B., Pjesnik kao “Eiron” – poezija Borisa Marune [in:] Dani hvarskoga kazališta. Igra i svečanost u hrvatskoj književnosti i kazalištu.  Knj. 31, Zagreb–Split 2005.

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Maruna B., Svijet koji znam, ed. B. Kragić, Zagreb 2015.

Maruna B.,Tako je govorio Katul/Thus Spoke Catullus, Zagreb 2005.

Maruna B., Upute za pakleni stroj, ed. T. Maroević, Zagreb 1998.

Monteith S., American Culture in the 1960s, Edinburgh 2008.

Mrkonjić Z., Volio ju izdaleka, boljela ga izbliza. Sjećanje na Borisa Marunu, “Vijenac” 2007, no. 347, 21.VI.

Novak S.P., Od srca i s razumom [in:] B. Maruna, Što je čuvalo nadu. Eseji i kritike, Zagreb 2008.

Storey J., Inventing Popular Culture. From Folklore to Globalization,Malden 2003.

Strinati D., An Introduction to Theories of Popular Culture, London 2004.

Informacje

Informacje: Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2018, Volume 13, Issue 1, s. 25 - 39

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

The Desert Called America: Poetry of Boris Maruna and American Popular Culture

Angielski:

The Desert Called America: Poetry of Boris Maruna and American Popular Culture

Autorzy

https://orcid.org/0000-0001-7904-6113

Ivica Matičević
Chorwacka Akademia Nauk i Sztuk, Zagrzeb, Chorwacja
https://orcid.org/0000-0001-7904-6113 Orcid
Wszystkie publikacje autora →

Chorwacka Akademia Nauk i Sztuk, Zagrzeb, Chorwacja

Publikacja: 27.03.2018

Status artykułu: Otwarte __T_UNLOCK

Licencja: CC BY-NC-ND  ikona licencji

Udział procentowy autorów:

Ivica Matičević (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Angielski