Małgorzata Świderska
Zeitschrift des Verbandes Polnischer Germanisten, Zeszyt 4 (2012), 2012, s. 377-385
Some remarks about the theory and method of comparativist imagology and of the study of strangeness in literary works
The paper is an attempt to present my own complementary hermeneutic conceptions of the interpretation of strangeness in literary works comparativist imagology and the two concepts of strangeness, based on Paul Ricoeur's and Bernhard Waldenfels’s hermeneutic phenomenology, which I apply in three short interpretations of Heimito von Doderer’s story Das letzte Abenteuer. Ein Ritterroman (the third version of 1936).
Małgorzata Świderska
Zeitschrift des Verbandes Polnischer Germanisten, Zeszyt 2 (2014), 2014, s. 189-200
https://doi.org/10.4467/23534893ZG.14.011.2933Imagology, a sub-discipline of comparative literary studies, has had a history of more than fifty years of research on the national and/or ethnic strangeness/otherness in literary texts. My paper will present some recent terminological concepts of imagology (as proposed by Hugo Dyserinck, Joep Leerssen and Manfred Beller, Daniel-Henri Pageaux, Jean-Marc Moura, Ernst Grabovszki), complemented by my own terminological approach.