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Europeizacja top-down w kulturze jako efekt polityki kulturalnej UE

Bożena Gierat-Bieroń

Zarządzanie w Kulturze, Tom 18, Numer 4, 2017, s. 493 - 510

https://doi.org/10.4467/20843976ZK.17.019.7469

The aim of this article is to analyse how Europeanisation top-down process affects the EU cultural policy. Europeanisation, as an academic concept in political sciences and European studies, became popular if not fashionable in other disciplines during the last two decades, creating new perspectives of scientific discourse. In the case of cultural policy of the UE it influences mechanism of integration in cultural sector as well as process of identification with European community’s values, axiological standards and beliefs. It is also affecting management areas, project management especially, as well as leadership, standardisation, democratisation of political decisions, and methods of administrative governance of the European cities. All those instruments used in Europeanisation processes might help in deeper integration between European nations and make people’s Europe far more aware of a need to participate in cultural transition in Europe.

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Integracja europejska w kulturze w perspektywie historycznej: lata siedemdziesiąte XX wieku

Bożena Gierat-Bieroń

Zarządzanie w Kulturze, Tom 18, Numer 2, 2017, s. 219 - 236

https://doi.org/10.4467/20843976ZK.17.013.7105

The aim of this paper is to illustrate the European Community decision making processes regarding culture and cultural policy in the Seventies, as well as their evolution over the years. The discussion is based on the analysis of EC documents and political declarations, which created the foundation for the ‘European Identity’ phenomenon. The Identity proved to be a crucial factor in all of following cultural policy initiatives and undertakings. It also played a role in definition of ‘cultural belonging’ and ‘European common values’. The political summits, meetings, and discussions organised within EC affected documents and statements of the European Council and the European Commission, which in turn generated multilevel, processual and democracy-based ‘European identity’. Since that initial period, it morphed into far more complex, transcultural, and heterogenic form.

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Kierunki rozwoju polityki kulturalnej w Polsce po 1989 roku. Koncepcje ministerialne

Bożena Gierat-Bieroń

Zarządzanie w Kulturze, Tom 16, Numer 3, 2015, s. 205 - 219

https://doi.org/10.4467/20843976ZK.15.013.3589

The Development of Cultural Policies in Poland after 1989. Ministerial Concepts.

The article refers to the development of cultural policies in Poland after the collapse of the Communist era in 1989. The main topic of the text is a critical approach to the succeeding ministerial concepts of cultural changes planned for the transition period. The author explores various documents and governmental papers published by the Polish Ministry of Culture as well as some national programmes, actions and declarations. The article presents a broad overview of the nature of changes in Polish culture since 1989 until 2014. This was an especially troublesome period. The Polish artists, activists and operators moved from the centrally-organised political and cultural system to the decentralised liberal democratic country, in which the freedom of expression was guaranteed and a new management system was introduced and adopted.

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Kierunki rozwoju polityki kulturalnej w Polsce po 1989 roku. Koncepcje ministerialne (II)

Bożena Gierat-Bieroń

Zarządzanie w Kulturze, Tom 17, Numer 2, 2016, s. 91 - 105

https://doi.org/10.4467/20843976ZK.16.007.4481

The Development of Cultural Policies in Poland after 1989. Ministerial Concepts (II)

The article refers to the development of cultural policies in Poland after the collapse of Communism in 1989. The text offers a critical approach to the succeeding ministerial concepts of cultural changes planned for the transition period. The author explores various documents and the governmental papers published by the Polish Ministry of Culture as well as some national programmes, actions and declarations. The article presents a broad overview of the nature of changes in Polish culture since 1989 until 2014. It was a specially troublesome time. The Polish artists, activists and operators moved from a centrally organised political and cultural system to a decentralised liberal

democratic country, in which the freedom of expression was guaranteed and a new management system was introduced and adopted.

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Bożena Gierat-Bieroń

Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków

Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków