The introduction of a new museum space in the vicinity of the relics of the past is associated with the erection of modern conceptual architectural monuments. The stronger the contrast between the old and the new, the stronger the expression of the work on the environment. The author undertakes an analysis of the New Cricoteka in Krakow as an example of architecture that represents, collects, and that is art – a game, an intellectual dialogue, a spectacle engaging the viewer into the action.
