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                        <journal-meta>
            <issn>0011-4561</issn>
                                </journal-meta>
        <article-meta>
            <title-group>
                                    <article-title>Drawing – a serous crisis of an important game</article-title>
                                    <article-title>Drawing – a serous crisis of an important game</article-title>
                            </title-group>

                        <contrib-group>
                                                            <contrib contrib-type="author" corresp="yes">
                            <name>
                                <surname>Setkowicz</surname>
                                <given-names>Piotr</given-names>
                            </name>
                            <role>author</role>
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                                                                                        <aff id="aff-1">
                    <institution-wrap>
                        <institution>Division of Drawing, Painting and Sculpture, Faculty of Architecture, Cracow University of Technology</institution>
                                            </institution-wrap>
                </aff>
                            
            <author-notes>
                                    <corresp id="cor-1">Correspondence to: Piotr Setkowicz <email>A-7@institute.pk.edu.pl </email></corresp>
                            </author-notes>

                            <pub-date date-type="pub" publication-format="electronic" iso-8601-date="2016-03-07">
                    <day>07</day>
                    <month>03</month>
                    <year>2016</year>
                </pub-date>
            
            <volume>Architektura Zeszyt 9-A (15) 2015</volume>
            <issue>2015</issue>
                        <fpage>319</fpage>
                                    <lpage>324</lpage>
            
            <permissions>
                <copyright-statement>Copyright &#x00A9; 2016</copyright-statement>
                                    <copyright-year>2016</copyright-year>
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        &lt;p style=&quot;text-align: justify;&quot;&gt;
	In an era of ever more perfect digital tools, the ability to draw is no longer regarded as necessary in the execution of the architectural profession. Yet it is precisely the hand drawing that continues to be regarded as the irreplaceable instrument of creative intuition which surpasses even the most user-friendly “procedures”. A rediscovery of its advantages for both didactic purposes and architectural creativity is becoming an urgent need.&lt;/p&gt;

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