This article casts a harsh light on the literary and plastic work of two Moroccan painterswriters : Mohammed Kacimi and Mahi Binebine. It will show their creative writing (poetry and fiction) and plastic is an act of resistance. This study therefore a double challenge. This is firstly to show that the story proffered on behalf of Scheherazade, in the poetic work of Kacimi is pacifist and « anti-war », secondly to see how each of novelistic characters becomes Binebine – it double the male narrator of One Thousand and One Nights.

This article casts a harsh light on the literary and plastic work of two Moroccan painterswriters : Mohammed Kacimi and Mahi Binebine. It will show their creative writing (poetry and fiction) and plastic is an act of resistance. This study therefore a double challenge. This is firstly to show that the story proffered on behalf of Scheherazade, in the poetic work of Kacimi is pacifist and « anti-war », secondly to see how each of novelistic characters becomes Binebine – it double the male narrator of One Thousand and One Nights.