Apophatisme et non-dualité dans le Vedānta et chez Ad Reinhardt
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RIS BIB ENDNOTEApophatisme et non-dualité dans le Vedānta et chez Ad Reinhardt
Publication date: 31.03.2023
Cahiers ERTA, 2023, Numéro 33, pp. 95 - 117
https://doi.org/10.4467/23538953CE.23.004.17566Authors
Apophatisme et non-dualité dans le Vedānta et chez Ad Reinhardt
The Ultimate Paintings, a series of abstractions made by Ad Reinhardt during the 1960s, are coupled with writings with obvious affinities to the apophatic formulas of the commentaries of the Upanishads (the philosophical conclusions of the Vedas) known as the “nondual Vedānta” (Advaita Vedānta). The abstractions themselves refer to the model of the yantra, the geometrical diagram into which Brahmanic iconography is supposed to subside. In this instance, the apophasis defeats the attempt to signify through painting and language what constitutes itself in painting and language.
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Information: Cahiers ERTA, 2023, Numéro 33, pp. 95 - 117
Article type: Original article
Titles:
Apophatisme et non-dualité dans le Vedānta et chez Ad Reinhardt
Apophatism and Non-duality in the Vedanta and in Ad Reinhardt's work
Université Paris 1 Panthéon-Sorbonne, France
Published at: 31.03.2023
Article status: Open
Licence: CC BY
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