2300-4681 Le dieu de la danse dans Till l’Espiègle de Téo Spychalski The god of the dance in Till l’Espiègle by Téo Spychalski Jakubczuk Renata author Uniwersytet Marii Curie-Skłodowskiej w Lublinie 015h0qg34 Correspondence to: Renata Jakubczuk renata.jakubczuk@umcs.pl 17 07 2014 Numéro 5 Fins du monde 2014 81 92 Copyright © 2014 2014 Till l’Espiègle – a theatrical production based on the Journal of Vaslav Nijinski, a Russian dancer of Polish descent – is a play of the Francophone theater. This play was presented for the first time in 1982 by a Quebec actor, Gabriel Arcand, in the Groupe de la Veillée of the Prospero Theater of Montreal. The theme of God is the main subject of the production. In this article, we are trying to demonstrate the dichotomy of the Nijinski’s microcosm: divided between the sacrum and profanum.