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                        <journal-meta>
            <issn>2300-4681</issn>
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            <title-group>
                                    <article-title>Le poil, le réel et l’informe chez Georges Bataille</article-title>
                                    <article-title>Hair, real and undefined in Georges Bataille</article-title>
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                                                            <contrib contrib-type="author" corresp="no">
                            <name>
                                <surname>Galland</surname>
                                <given-names>Sébastien </given-names>
                            </name>
                            <role>author</role>
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                                                                                        <aff id="aff-1">
                    <institution-wrap>
                        <institution>Université Paul-Valéry, Montpellier 3</institution>
                                            </institution-wrap>
                </aff>
                            
            <author-notes>
                                    <corresp id="cor-1">Correspondence to: Sébastien  Galland <email></email></corresp>
                            </author-notes>

                            <pub-date date-type="pub" publication-format="electronic" iso-8601-date="2020-09-30">
                    <day>30</day>
                    <month>09</month>
                    <year>2020</year>
                </pub-date>
            
            <volume>Numéro 23</volume>
            <issue>2020</issue>
                        <fpage>63</fpage>
                                    <lpage>77</lpage>
            
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                <copyright-statement>Copyright &#x00A9; 2020</copyright-statement>
                                    <copyright-year>2020</copyright-year>
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        &lt;p&gt;An emblem of heterology, hair causes horripilation and fascination: it is a part of the shapelessness that signals a rejection of rationality and philosophy, of metaphorisation and aesthetics, favouring instead ugliness, abjectness and material baseness. It verges on an unheimlich (uncanny) zone, which borders on the unrepresentable. Thus, this irreducible object unleashes the transgressive power of the sacred, that, no doubt, of eroticism, but even more so, that of the Dionysiac, which is the will for power and an increase in the feeling of being alive, against ascetic, hygienist or fascist ideals. Hair would be the fetish, attesting to the perverse structure of the forbidden and of civilization.&lt;/p&gt;
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