@article{ed4e783b-492c-4006-a531-193d7ecce2c2,
author = {Erika Natalia Molina  Garcia},
title = {Thunder and whir. For a musical literature: The case of surrealism},
journal = {Cahiers ERTA},
volume = {2021},
number = {Numéro 26},
year = {2021},
issn = {2300-4681},
pages = {59-83},keywords = {Deleuze; creation act; Chaoids; surrealism},
abstract = {By exploring Deleuze’s theory of the creative act, I suggest in the first part of this article that all art forms can achieve a generalized musicality. This musicality denotes a region of perception that goes beyond ordinary senses, with which we can come into contact either by creating or by witnessing art. In the second part, I illustrate the possibility that this doctrine opens for a musical literature, i.e. a literature able to achieve the generalized musicality, with some fragments of surrealist literature. I conclude with the idea that the doctrine at hand could constitute an evolution and a radicalization of surrealist aesthetics.},
doi = {10.4467/23538953CE.21.027.13999},
url = {https://ejournals.eu/en/journal/cahiers-erta/article/tonnerre-et-bourdonnement-pour-une-litterature-musicale-le-cas-du-surrealisme}
}