@article{dfc4c6df-f056-4735-ae73-133e30a7da81,
author = {Michał Piotr Mrozowicki},
title = {Tannhäuser rehabilitated (V) – « La quatrième »’s image in the parisian press –Ernst Van Dyck and the others},
journal = {Cahiers ERTA},
volume = {2021},
number = {Numéro 27},
year = {2021},
issn = {2300-4681},
pages = {85-109},keywords = {Wagner’s reception in France; Tannhäuser; history of the opera},
abstract = {The fifth part of the cycle is devoted to the presentation of the main Parisian musical critics’ opinions on the Tannhäuser’s performance at Palais Garnier on May 13th, 1895, conducted by Paul Taffanel and directed by Alexander Lapissida. If these journalists – such as Jacques Weber of Le Temps, Catulle Mendès of La Revue de Paris, Hippolyte Fierens-Gevaert of Journal des débats, Paul Dukas of La Revue hebdomadaire, Ferdinand Le Borne of Le Monde artiste, Henry Gauthier-Villars of L’Écho de Paris, Alfred Bruneau of Gil Blas, and some others that are recalled in the article, were not unanimous on various aspects of this production, all of them considered Ernest Van Dyck, interpreting the title role, as the principle triumphator of the evening.},
doi = {10.4467/23538953CE.21.033.14386},
url = {https://ejournals.eu/en/journal/cahiers-erta/article/tannhauser-rehabilite-v-la-quatrieme-devant-la-presse-parisienne-ernest-van-dyck-et-les-autres}
}