@article{db641242-96e6-480b-b421-44dc093ef346,
author = {Martyna Zapolnik},
title = {The secondperson narration in the writing of malaise. The comparative analysis of A Man Asleep by Georges Perec and L’Inconsolable by Anne Godard (Part Two)},
journal = {Cahiers ERTA},
volume = {2020},
number = {Numéro 22},
year = {2020},
issn = {2300-4681},
pages = {35-52},keywords = {second-person narration; Georges Perec; Anne Godard; malaise; suspension},
abstract = {Suspension between life and death is not the only one that heroes of Gerorges Perec and Anne Godard, accompanied by a reader, have to undergo. The grammatical second person applied in order to represent the characters implies actually a particular plurality of voices which creates in a paradoxical way these two silent heroes. Moreover, devoid of anchor point unlike other grammatical persons, it makes them constantly suspended in time and space. Therethrough, A Man Asleep and L’Inconsolable cannot be treated just like rewritings of common myths: they represent a new quality in the history of literature, very dynamic and rich in interpretations.},
doi = {10.4467/23538953CE.20.007.12425},
url = {https://ejournals.eu/en/journal/cahiers-erta/article/le-recit-a-la-deuxieme-personne-dans-lecriture-du-malaise-analyse-comparative-dun-homme-qui-dort-de-georges-perec-et-de-linconsolable-danne-godard-ii-partie}
}