TY - JOUR
TI - On Melancholia and its Stylistic Rendering in a few of Marguerite de Navarre’s Chansons spirituelles
AU - Dunn-Lardeau, Brenda
TI - On Melancholia and its Stylistic Rendering in a few of Marguerite de Navarre’s Chansons spirituelles
AB - 
	This article examines melancholia and its stylistic rendering in three of Marguerite de Navarre’s Chansons spirituelles that do not deal with bereavement, namely Songs 29, 45, and especially 34. The Queen uses various medical, philosophical, and literary sources to describe melancholy, although she never quotes Aristotle or humoral medicine. The same applies to literary borrowings from the Imitation of Christ, which enable her to give a willful Christian response to life’s sufferings. Most of all, Marguerite spiritualises love motifs used by Petrarch in his Canzoniere, especially the dolce pena concetto. This is achieved thanks to the interpenetration of Petrarch’s amorous vocabulary with the inner life discourse of her characters’ souls, tossed between euphoria and suffering, in their quest for divine love. This study also reviews Marguerite’s use of melancholia in La Coche, la Comédie des quatre femmes and l’Heptaméron, where it remains in the realm of worldly concerns and raises moral and ethical questions.
VL - 2022
IS - Volume 17, Issue 2
PY - 2022
SN - 1897-3035
C1 - 2084-3933
SP - 75
EP - 86
DO - 10.4467/20843933ST.22.008.15596
UR - https://ejournals.eu/en/journal/studia-litteraria-uic/article/de-la-melancolie-et-son-expression-stylistique-dans-quelques-chansons-spirituelles-de-marguerite-de-navarre
KW - Marguerite de Navarre
KW - melancholia
KW - Chansons spirituelles
KW - humoral medicine
KW - Imitation of Christ
KW - Petrarch
KW - dolce pena