@article{c7b5be4e-7e49-49a5-a76a-8bc159c9b769,
author = {Brenda Dunn-Lardeau},
title = {On Melancholia and its Stylistic Rendering in a few of Marguerite de Navarre’s Chansons spirituelles},
journal = {Studia Litteraria Universitatis Iagellonicae Cracoviensis},
volume = {2022},
number = {Volume 17, Issue 2},
year = {2022},
issn = {1897-3035},
pages = {75-86},keywords = {Marguerite de Navarre; melancholia; Chansons spirituelles; humoral medicine; Imitation of Christ; Petrarch; dolce pena},
abstract = {This article examines melancholia and its stylistic rendering in three of Marguerite de Navarre’s Chansons spirituelles that do not deal with bereavement, namely Songs 29, 45, and especially 34. The Queen uses various medical, philosophical, and literary sources to describe melancholy, although she never quotes Aristotle or humoral medicine. The same applies to literary borrowings from the Imitation of Christ, which enable her to give a willful Christian response to life’s sufferings. Most of all, Marguerite spiritualises love motifs used by Petrarch in his Canzoniere, especially the dolce pena concetto. This is achieved thanks to the interpenetration of Petrarch’s amorous vocabulary with the inner life discourse of her characters’ souls, tossed between euphoria and suffering, in their quest for divine love. This study also reviews Marguerite’s use of melancholia in La Coche, la Comédie des quatre femmes and l’Heptaméron, where it remains in the realm of worldly concerns and raises moral and ethical questions.},
doi = {10.4467/20843933ST.22.008.15596},
url = {https://ejournals.eu/en/journal/studia-litteraria-uic/article/de-la-melancolie-et-son-expression-stylistique-dans-quelques-chansons-spirituelles-de-marguerite-de-navarre}
}