Allen R.C., Horrible Prettiness: Burlesque and American Culture, Chapel Hill 1991.
Anderson A., The Powers of Distance: Cosmopolitanism and the Cultivation of Detachment, Princeton 2001.
Armstrong N., Desire and Domestic Fiction: A Political History of the Novel, New York 1987.
Auerbach N., Hellen Terry, Player in Her Time, London 1987.
Barthes R., Mitologie, tłum. A. Dziadek, Warszawa 1957.
Buszek M.E., Pin-Up Grrrls: Feminism, Sexulaity, Popular Culture, Durham 2006.
Butler J., Uwikłani w płeć. Feminizm i polityka tożsamości, tłum. K. Krasuska, Warszawa 2008.
Coleman J., The Social Status of the Actor, „National Review”, nr 5. Coventry P. , Angel in the House, London 1854–1856.
Davidoff L., C. Hall, Family Fortunes: Men and Women of the English Middle Class 1780–1850, New York 1987.
Davis T., Actress as Working Women: Their Social Identity in Victorian Culture, New York 1991.
Dziadek A., Od polityki i teorii do literatury. Wokół „Théorie d’ensemble” grupy Tel Quel, „Przestrzenie Teorii” 2002, nr 1.
Ezop, Lis i winogrona [w:] K.I. Gałczyński, Przekłady, t. 2, Warszawa 1979.
Finch C., „Hooked and Buttoned Together”: Victorian Underwear and Representations of the Female Body, „Victorian Studies” 1992, t. 34, nr 3.
Gerber M.B., Vested Interests: Cross-Dressing & Cultural Anxiety, New York 1992.
Howard J.E., Cross-Dressing, The Theatre, and Gender Struggle in Early Modern England [w:] Crossing the Stage: Controversies on Cross-dressing, red. L. Ferris New York 1993.
Iwasiów I., Między queer a zwykłością. Pożądanie (na) spektaklu [w:] Inna scena: ciało,  płeć, pożądanie. Tożsamość seksualna i tożsamość płci w polskim teatrze i dramacie, red. A. Adamiecka-Sitek, D. Buchwald, Warszawa 2008.
Jackson R., Victorian Theatre: The Theatre in Its Time, London 1989.
Kristeva J., Powers of Horror: An Essay on Abjection, New York 1982.
La Shure Ch., What is Liminality?, 2005, http://www.liminality.org/about/whatisliminality/, dostęp: 1.07.2017.
Langland E., Nobody’s Angels: Middle-Class Woman and Domestic Ideology in Victorian Culture, London 1995.
Lehmann H.-T., Postdramatic Theatre, New York 2006.
Macintosh F., Medea Transposed: Burlesque and Gender on the Mid-Victorian Stage [w:] Medea in Performance 1500–2000, red. E. Hall, F. Macintosh, O. Taplin, Oxford 2000.
Mayer D., Encountering Melodrama [w:] The Cambridge Companion to Victorian and Edwardian Theatre, red. K. Powell, Cambridge 2004.
Mielewska-Miachaś A., Wiktoriański modus melodramatyczny w kontekście teatru masowego epoki [w:] Teatr masowy – teatr dla mas, red. M. Leyko, Łódź 2011.
Moody J., Illusions of Authorship [w:] Women and Playwriting in Nineteenth-Century Britain, red. T.C Davis, E. Donkin, Cambridge 1992.
Planché J.R., Blue Beard; A Grand Musical, Comi-Tragical, Melo-Dramatic, Burlesque Burletta [w:] , Extravaganzas of J.R. Planché, t. 2, London 1979.
Planché J.R., Fortunio and His Seven Gifted Servants [w:] The Extravaganzas of J.R. Planché, t. 2, London 1879.
Planché J.R., The Golden Branch [w:] The Extravaganzas of J.R. Planché, t. 3, London 1879.
Planché J.R., High, Low, Jack & The Game, or, The Card Party: A Most Extravagant Extravaganza, or Rum-Antick Burletta, London 1833.
Planché J.R., The Island of Jewels [w:] The Extravaganzas of J.R. Planché, t. 4, London 1879.
Planché J.R., Olympic Revels [w:] The Extravaganzas of J.R. Planché, t. 1, London 1879.
Poon A., Enacting Englishness in Victorian Period: Colonialism and Politics of Performance, New York 2008.
Poovey M., Uneven Developments: The Ideological Work of Gender in Mid-Victorian England, Chicago 1988.
Richards J., The Golden Age of Pantomime: Slapstick, Spectacle and Subversion in Victorian England, London 2015.
Rodosthenous G. Introduction [w:] Theatre as Voyeurism: The Pleasure of Watching, red. G. Rodostenous, London 2015.
Scott J.W., Gender: A Useful Category of Historical Analysis, „American Historical Review” 1986, nr 91 (5).
„The Times”, Beauty and the Beast, 13 April 1841.
Voskuil L.M., Acting Naturally: Victorian Theatricality and Authenticity, Charlottesville 2004.
Wallach S.J., Gender: A Useful Category of Historical Analysis, „American Historical Review” 1986, nr 91 (5).
Williams C.J., Madame Vestris: A Theatrical Biography, London 1973.
Williams G.J., Our Moonlight Revels: A Midsummer Night’s Dream in the Theatre, Iowa City 1997.
Woolf V., Praca zawodowa kobiet [w:] Eseje wybrane, oprac. M. Heydel, R. Sendyka, przeł. M. Heydel, Kraków 2015.