%0 Journal Article
%T Przełamując bariery przekładu audiowizualnego: o tłumaczu telewizyjnym jako twórcy i tworzywie
%A Garcarz, Michał
%A Widawski, Maciej
%J Przekładaniec
%V 2008
%N Issue 20 – O przekładzie audiowizualnym
%P 40-49

%@ 1425-6851
%D 2009
%U https://ejournals.eu/en/journal/przekladaniec/article/przelamujac-bariery-przekladu-audiowizualnego-o-tlumaczu-telewizyjnym-jako-tworcy-i-tworzywie
%X 
	As is commonly known, Polish AVTs are dominated by voice-over – a cultural phenomenon
	of the post-communist state. Given the translation reality of the contemporary
	European TV market, whenever voice-over is applied to movie translations, it is
	perceived as a painful legacy of the Communist era. No matter which translation mode
	an average fi lm viewer prefers, it is the TV corporation that decides whether to dub,
	voice-over or subtitle a foreign fi lm, and then broadcast it to the viewers. This paper
	attempts to unravel the tangle of confl icting claims on voice-over as a fi lm translation
	mode from an academic viewpoint based on linguistics, translation studies and cultural
	linguistics. In the authors’ view, there are three main technical barriers for voice-over
	which a translator needs to take into account at any stage of his work: the translator’s
	personality, translation conventions commonly accepted by fi lm translators and legal
	regulations.