@article{b93a1d1e-cd95-4944-bbf7-7bfbb724d425,
author = {Michał Garcarz, Maciej  Widawski},
title = {Przełamując bariery przekładu audiowizualnego: o tłumaczu telewizyjnym jako twórcy i tworzywie},
journal = {Przekładaniec},
volume = {2008},
number = {Issue 20 – O przekładzie audiowizualnym},
year = {2009},
issn = {1425-6851},
pages = {40-49},keywords = {},
abstract = {As is commonly known, Polish AVTs are dominated by voice-over – a cultural phenomenon
	of the post-communist state. Given the translation reality of the contemporary
	European TV market, whenever voice-over is applied to movie translations, it is
	perceived as a painful legacy of the Communist era. No matter which translation mode
	an average fi lm viewer prefers, it is the TV corporation that decides whether to dub,
	voice-over or subtitle a foreign fi lm, and then broadcast it to the viewers. This paper
	attempts to unravel the tangle of confl icting claims on voice-over as a fi lm translation
	mode from an academic viewpoint based on linguistics, translation studies and cultural
	linguistics. In the authors’ view, there are three main technical barriers for voice-over
	which a translator needs to take into account at any stage of his work: the translator’s
	personality, translation conventions commonly accepted by fi lm translators and legal
	regulations.},
doi = {},
url = {https://ejournals.eu/en/journal/przekladaniec/article/przelamujac-bariery-przekladu-audiowizualnego-o-tlumaczu-telewizyjnym-jako-tworcy-i-tworzywie}
}