%0 Journal Article
%T Avalokiteśvara in Tibetan Buddhist art of the Later spread (Tib. phyi dar) of the Dharma. Image classification proposal, part 1.
%A Grela, Joanna
%J The Polish Journal of the Arts and Culture. New Series
%V 2020
%R 10.4467/24506249PJ.20.007.13446
%N 12 (2/2020)
%P 27-40
%K Avalokiteśvara, maṇi mantrā, Three Jewels, Three Roots, Three Refuges, Tibetan art
%@ 2450-2561
%D 2020
%U https://ejournals.eu/en/journal/pjacns/article/avalokitesvara-in-tibetan-buddhist-art-of-the-later-spread-tib-phyi-dar-of-the-dharma-image-classification-proposal-part-1
%X 
	According to traditional Buddhist narratives and popular beliefs, Tibetans are a people chosen by Avalokiteśvara. Therefore, his worship and multitude, as well as diversity of his images are quite common both in temples and public areas. Unlike the widespread analyses where the Bodhisattva has been treated as a peaceful tutelary deity, and classifications of its images have been based on morphological features (i.e. the number of hands, heads, etc.) or by artistic styles and techniques. This paper proposes another approach by grounding images in Tantric Buddhism models used locally. In the first part of the article, the images of Avalokiteshvara are inscribed in the bodyspeech-mind models as well as the external, secret and the first of the three internal aspects of the Three Refuges, also known as the Three Jewels, which covers a much wider set of iconographic material than usually considered.