%0 Journal Article
%T La récriture protestante du Psautier de Baïf : les Pseaumes en vers mezurez d’Odet de La Noue sur une musique de Claude Le Jeune, (1e partie)
%A Vignes, Jean
%J Studia Litteraria Universitatis Iagellonicae Cracoviensis
%V 2012
%R 10.4467/20843933ST.12.002.0954
%N Volume 7, Issue 1
%P 9-24
%K Renaissance, Book of Psalms, protestant music
%@ 1897-3035
%D 2012
%U https://ejournals.eu/en/journal/studia-litteraria-uic/article/la-recriture-protestante-du-psautier-de-baif-les-pseaumes-en-vers-mezurez-dodet-de-la-noue-sur-une-musique-de-claude-le-jeune-1e-partie
%X 
	The protestant rewriting of de Baïf‘s Psalms: les Pseaumes en vers mezurez by Odet de La Noue with Claude Le Jeune’s music (1th part)
	Jean-Antoine de Baïf is the first catholic poet who achieves a complete translation of the David’s Book of Psalms specifically created to be set to music in order to challenge Marot and Bèze’s own translation adopted by Calvinists. Baïf’s first fifteen psalms are set to music by the composer Claude Le Jeune around 1570. After that, the protestant poet Odet de La Noue releases a new text for Le Jeune’s music. How does this Calvinist poet adopt the Psalter when rewriting a paraphrase claimed to be a catholic one?
	Jean Vignes presents the political and musical context of La Noue’s work, and introduces the major steps of the creation process of Baïf and La Noue’s works, as well as their intentions and goals.