@article{7dee5d5f-a81d-436b-93d8-b2dde8b49d6a,
author = {Paul Bleton},
title = {Melodrama and stage adaptation: a cultural matrix},
journal = {Cahiers ERTA},
volume = {2016},
number = {Numéro 9 Actes de résistance},
year = {2016},
issn = {2300-4681},
pages = {195-208},keywords = {French melodrama; stage adaptation; cultural matrix},
abstract = {Melodrama and stage adaptation: a cultural matrix French pop literature and the adaptations based on it have had to reckon with a cultural matrix that was put in place as early as the « age of the melodrama » (the early XIXth century), i.e. even before the advent of the roman-feuilleton. That cultural matrix was built around the know-how of specific playwrights; this know-how is revealed to be less simplistic than previously thought.},
doi = {10.4467/23538953CE.16.012.4852},
url = {https://ejournals.eu/en/journal/cahiers-erta/article/melodrame-et-adaptation-une-matrice-culturelle}
}