@article{7bba7fc9-aafc-4bde-a82c-dd0b9f2e636b,
author = {Justyna  Stasiowska},
title = {Re-production of hearing mechanism  throught phonograph and its influence on sound perception},
journal = {Arts & Cultural Studies Review},
volume = {2015},
number = {Issue 1 (23)},
year = {2015},
issn = {1895-975X},
pages = {27-34},keywords = {sound studies; gramophone; sound perception; noise; sound representation; liveness},
abstract = {The widespread use of Thomas Alva Edison’s device significantly changed the process of listening at the end of 19th century and 20th century. Still, today we listen to technologically re-produced sound. The article analyses the technology and historical context of developing this medium. I refer to Friedrich Kittlers work presenting the phonograph and later gramophone as a dysfunctional human apparatus – a passive device that records everything, without filtering the vibration and the context of scientific experiment made it a fact. I analyse Edison Company promotional strategies and actions referring to categories of liveness, dysfunction and sound representation.},
doi = {10.4467/20843860PK.14.003.3521},
url = {https://ejournals.eu/en/journal/przeglad-kulturoznawczy/article/re-produkcja-mechanizmu-percepcji-dzwieku-poprzez-urzadzenie-fonografu-oraz-jego-wplyw-na-odbior-dzwieku}
}