%0 Journal Article
%T Cinema Transcendence of Time
%A Frąc, Waldemar
%J Arts & Cultural Studies Review
%V 2015
%R 10.4467/20843860PK.14.006.3524
%N Issue 2 (24)
%P 97-107
%K cinema, philosophy, ontology, time, eternal return, Bergson, Deleuze
%@ 1895-975X
%D 2015
%U https://ejournals.eu/en/journal/przeglad-kulturoznawczy/article/kinowa-transcendencja-czasu
%X 
	Experience of time in cinema is a paradox. Cinema as a time art makes temporal transcendence. Film as a kind of Nietzsche’s eternal return determines subjective experience of time. According to A. Pawełczyńska it is possible to indicate three essential ways of understanding of time in cinema: substantialist, attributive and subjective. Deleuze’s theory of time in cinema represents subjective approach. According to Bergson time is creation therefore cinema must be based on a transcendence of time.