@article{6c3d0884-ed21-4f21-9e8c-59c389685147,
author = {Waldemar  Frąc},
title = {Cinema Transcendence of Time},
journal = {Arts & Cultural Studies Review},
volume = {2015},
number = {Issue 2 (24)},
year = {2015},
issn = {1895-975X},
pages = {97-107},keywords = {cinema; philosophy; ontology; time; eternal return; Bergson; Deleuze},
abstract = {Experience of time in cinema is a paradox. Cinema as a time art makes temporal transcendence. Film as a kind of Nietzsche’s eternal return determines subjective experience of time. According to A. Pawełczyńska it is possible to indicate three essential ways of understanding of time in cinema: substantialist, attributive and subjective. Deleuze’s theory of time in cinema represents subjective approach. According to Bergson time is creation therefore cinema must be based on a transcendence of time.
	 },
doi = {10.4467/20843860PK.14.006.3524},
url = {https://ejournals.eu/en/journal/przeglad-kulturoznawczy/article/kinowa-transcendencja-czasu}
}