%0 Journal Article
%T „Mother weeping” in the masterpieces of Polish music of the 20th century
%A Bolesławska-Lewandowska, Beata
%J Sympozjum
%V 2021 - Volume XXV
%R 10.4467/25443283SYM.21.006.13719
%N issue 1 (40)
%P 67-82
%K Stabat Mater in Polish music, Polish music in the 20th century, Szymanowski, Panufnik, Górecki, Padlewski, Penderecki
%@ 2543-5442
%D 2021
%U https://ejournals.eu/en/journal/sympozjum/article/lzy-lejaca-w-arcydzielach-muzyki-polskiej-xx-wieku
%X 
	The theme of the sorrowful mother has been present in music for centuries. The medieval sequence Stabat mater dolorosa brought many excellent interpretations. As far as the music of Polish composers in the 20th century is concerned, the first name to be mentioned is Karol Szymanowski and his masterpiece: Stabat Mater, Op. 53 (1926). This work, using a text in Polish and referring to folklore, set one direction for the interpretation of the theme of the sorrowful mother in the Polish music of the last century. It was continued by Andrzej Panufnik in his touching interpretation of Gorzkie żale in the suite Hommage à Chopin for voice and piano (1949), and particularly Henryk Mikołaj Górecki in his Symphony of Sorrowful Songs (1976). The second line is marked by compositions referring to the Latin tradition, with no clear references to Polish themes – such as Stabat Mater by Roman Padlewski (1939) and Stabat Mater by Krzysztof Penderecki (1962). The article outlines both lines of interpretation of the “Mother weeping” motif in the works of Polish composers of the 20th century on the example of the above-mentioned masterpieces of Polish musical culture of the last century.