@article{58f0b9b7-f1ff-4c49-a6de-db49c8a0bae3,
author = {Sylwia Kucharuk},
title = {Everything is a source – some aspects of intertextuality in Jean Anouilh’s theatre},
journal = {Romanica Cracoviensia},
volume = {Volume 17 (2017)},
number = {Volume 17, Issue 4},
year = {2017},
issn = {1732-8705},
pages = {245-253},keywords = {macrotext; autotext; intertextuality; intratextuality; Anouilh},
abstract = {The principal objective of the article is to illustrate the way Jean Anouilh plays with intertextuality, paying particular attention to inter- and intratextuality present in the playwright’s later works which create a peculiar macrotext. The main part of the article is devoted to a detailed analysis of autotextuality elements, as defined by L. Dällenbach, in the play Cher Antoine ou l’amour raté. },
doi = {10.4467/20843917RC.17.023.8348},
url = {https://ejournals.eu/en/journal/romanica-cracoviensia/article/tout-est-source-quelques-aspects-de-lintertextualite-dans-le-theatre-de-jean-anouilh}
}