Alaimo S., Introduction: Science Studies and the Blue Humanities, “Configurations” 2019, vol. 27, no. 4, p. 429–432. Project MUSE, DOI:10.1353/con.2019.0028. Berger Ch. (ed.), Conceptualism and Materiality: Matters of Art and Politics, Brill, Leiden– Boston 2019. Bryzgel A., Blurring the Boundaries: Perception, Reality, Performance. Works of Ludmiła Popiel and Jerzy Fedorowicz, “BLOCK Magazine”, https://blokmagazine.com/blurring-the-boundaries-perception-reality-performance-works-of-ludmila-popiel-and-jerzy-fedorowicz/. Ciunowicz J., Początki sztuki ekologicznie zaangażowanej w Polsce w czasie plenerów, sympozjów i zjazdów artystycznych w latach 60. i 70. XX w., praca licencjacka napisana pod kierunkiem dr Mariki Kuźmicz [The Beginnings of Ecologically Engaged art in Poland during Plein-airs, Symposia and Art Conventions in the 1960s and 1970s. Bachelor’s thesis written under the supervision dr Marika Kuźmicz], Akademia Sztuk Pięknych w Warszawie, Wydział Zarządzania Kulturą Wizualną / Academy of Fine Arts in Warsaw, Faculty of Visual Culture Management, Warsaw 2020. Fowkes M. and R., I Live on Earth: Cosmic Realms and the Place of Nature in the Work of Natalia LL [in:] A. Jakubowska (ed.), Natalia LL: Consumer Art and Beyond, CSW Zamek Ujazdowski, Warsaw 2016. Fowkes M., The Green Block: Neo-avant-garde Art and Ecology under Socialism, Central European University Press, Budapest–New York 2015. Haraway D., Staying with the Trouble: Making Kin in the Chthulucene, Duke University Press, Durham–London 2016. Holert T., Knowledge Beside Itself: Contemporary Art’s Epistemic Politics, Sternberg Press, Berlin 2020. Hydro Criticism, “English Language Notes” 2019, vol. 57, no. 1 (April), Special Issue, ed. L. Winkiel. Kuźmicz M. (ed.), Jan Dobkowski, Fundacja Arton, Warsaw 2020. Lippard L., Chandler J., The Dematerialization of Art, “Art International” 1968, vol. 12, no. 2. Majewska-Güde K., Ewa Partum’s Artistic Practice: An Atlas of Continuity in Different Locations, Transcript, Bielefeld 2021. Meskimmon M., Transnational Feminisms, Transversal Politics and Art: Entanglements and Intersections, Routledge, London–New York 2020. Morganová P., Czech Action Art: Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain, Karolinum Press, Prague 2014. Piotrowski P., In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945–1989, Reaktion Books, London 2009. Sassen S., Expulsions: Brutality and Complexity in the Global Economy, Harvard University Press, Harvard 2014. Szwej J., Plenery w Osiekach, Muzeum Okręgowe, Koszalin 1978. Winkiel L., Introduction, “English Language Notes” 2019, vol. 57, no. 1 (April), Special Issue, ed. L. Winkiel. Wszystko jest kolekcją. Osieki – Kłopotliwa Sukcesja? / Everything Is a Collection. Osieki – A Troublesome Heritage?, “Art and Documentation” 2018, no. 18/1, Special Issue, ed. A.M. Leśniewska. Ziarkiewicz R., Mikita M. (eds.), Awangarda w plenerze: Osieki i Łazy 1963–1981 / Avant- -garde in plein-air: Osieki and Łazy 1963–1981, Muzeum Okręgowe, Koszalin 2008.