@article{58484815-4bd1-4ff4-8b05-a71c0ed15041,
author = {Karolina  Majewska-Güde},
title = {Understanding with Water: Hydro-art in Osieki (1973)},
journal = {Arts & Cultural Studies Review},
volume = {2021},
number = {Issue 2 (48) Błękitna humanistyka},
year = {2021},
issn = {1895-975X},
pages = {356-374},keywords = {art history; blue humanities; neo-avant-garde; plein-airs; environmental art},
abstract = {The paper is located at the intersection of the art history of the Polish neo-avant-garde and the environmental humanities informed by feminist new materialisms. It proposes an interpretation of performative works in which artists used aqueous matter as an object of interaction, a source of artistic transcription, and as an active participant in artistic scenarios. It concentrates on works that were realized during the open-air art meetings in socialist Poland and in particular at the Osieki meeting in 1973 with the title The Art of Water Surfaces [Plastyka obszarów wodnych]. Based on the analyzed works, it offers a speculative reflection on Hydroart, which is defined as region-specific development parallel to land art practices.},
doi = {10.4467/20843860PK.21.023.14080},
url = {https://ejournals.eu/en/journal/przeglad-kulturoznawczy/article/understanding-with-water-hydro-art-in-osieki-1973}
}