@article{54d3fdf0-f51c-41e8-ac09-0c6acb90263b,
author = {Michał Piotr Mrozowicki},
title = {Tannhäuser Rehabilitated (1) – the Parisian Echoes of the Premiere on the Green Hill},
journal = {Cahiers ERTA},
volume = {2020},
number = {Numéro 23},
year = {2020},
issn = {2300-4681},
pages = {79-95},keywords = {Wagner's reception in France; Tannhäuser; history of the opera},
abstract = {The subject of the article is the French reception of Tannhäuser after the failure of the three première performances in March 1861. From 1862 to 1894 the Parisian audience had to content itself with shorter or longer selections of this opera executed during Sunday concerts of Jules Pasdeloup’s, Edouard Colonne’s and Charles Lamoureux orchestras. In 1891 some French and foreign journalists, encouraged by the first Tannhäuser’s representations in Bayreuth, the Temple of Wagnerian art, began the discussions on the value of this work, some of them trying to prove that it’s a  m u s i c a l   d r a m a  as good as his later achievements, some other, on the contrary, pretending that Tannhäuser is an opera, marvelous, outstanding, extraordinary, but only an  o p e r a.},
doi = {10.4467/23538953CE.20.013.12820},
url = {https://ejournals.eu/en/journal/cahiers-erta/article/tannhauser-rehabilite-1-les-echos-parisiens-de-la-premiere-a-la-colline-verte}
}