TY - JOUR
TI - Charles de Vivray's Three Concerts
AU - Wierzbowska, Ewa Małgorzata
TI - Charles de Vivray's Three Concerts
AB - Music is a keystone in the entire work of Marie Krysinska, who was first and foremost a musician. Guided by the rule of universal harmony, the perfect realisations of which are musical compositions, she applies it in her poems as well as in her narrative texts. Krysinska's novel, La Force du désir [The Force of Desire], was read in its time primarily as a roman à clef. Behind the literary characters are real people: poets, writers, actresses, singers, journalists, composers. One of the portraits is particularly touching, that of de Vivray whose real-life prototype was Charles-Erhardt de Sivry. A musician, conductor, poet and music theorist, de Sivry charmed listeners with his compositions. In the diegesis, all his professional activities are mentioned, more or less revealed. Thanks to Charles de Vivray's three concerts, the novelistic space transforms into a musical space.
VL - 2021
IS - Numéro 26
PY - 2021
SN - 2300-4681
C1 - 2353-8953
SP - 85
EP - 108
DO - 10.4467/23538953CE.21.028.14000
UR - https://ejournals.eu/en/journal/cahiers-erta/article/les-trois-concerts-de-charles-de-vivray
KW - Charles de Vivray
KW - Krysinska
KW - musicality
KW - concerts
KW - roman à clef