TY - JOUR
AU - Wierzbowska, Ewa Małgorzata
TI - &lt;p&gt;Charles de Vivray&#039;s Three Concerts&lt;/p&gt;
JF - Cahiers ERTA
VL - 2021
PY - 2021
DO = 10.4467/23538953CE.21.028.14000
SN - 2300-4681
C1 - 2353-8953
SP - 85
EP - 108
KW - Charles de Vivray
KW - Krysinska
KW - musicality
KW - concerts
KW - roman à clef
N2 - &lt;p&gt;Music is a keystone in the entire work of Marie Krysinska, who was first and foremost a musician. Guided by the rule of universal harmony, the perfect realisations of which are musical compositions, she applies it in her poems as well as in her narrative texts. Krysinska&amp;#039;s novel, &lt;em&gt;La Force du désir &lt;/em&gt;[&lt;em&gt;The Force of Desire&lt;/em&gt;], was read in its time primarily as a roman à clef. Behind the literary characters are real people: poets, writers, actresses, singers, journalists, composers. One of the portraits is particularly touching, that of de Vivray whose real-life prototype was Charles-Erhardt de Sivry. A musician, conductor, poet and music theorist, de Sivry charmed listeners with his compositions. In the diegesis, all his professional activities are mentioned, more or less revealed. Thanks to Charles de Vivray&amp;#039;s three concerts, the novelistic space transforms into a musical space.&lt;/p&gt;
UR - https://ejournals.eu/en/journal/cahiers-erta/article/les-trois-concerts-de-charles-de-vivray