Alexie S. (2007). Flight. New York.
Alexie S. (1998). Indian Killer. New York.
Alexie S. (1996). How to Write the Great American Indian Novel. The Summer of Black Widows. New York.
Alexie S. (1995). Reservation Blues. New York.
Alexie S. (2007). The Absolutely True Diary of a Part-Time Indian. New York.
Alexie S. (2002). The Business of Fancy Dancing (film).
Alexie S. (1993). The Lone Ranger and Tonto Fistfight in Heaven. New York.
Alexie S. (1999). The Toughest Indian in the World. New York.
Bevis W. (1987). Native American Novels: Homing In. In: B. Swann, A. Krupat (eds.). Recovering the Word: Essays on Native American Literature (pp. 580–620). Berkeley, CA.
Coulombe J.L. (2002). The Approximate Size of His Favorite Humor: Sherman Alexie’s Comic Connections and Disconnections in The Lone Ranger and Tonto Fistfight in Heaven. The Amer­ican Indian Quarterly, vol. 26, no. 1, pp. 95–115.
Erdrich L. (2016). La Rose. New York.
Erdrich L. (1993). Love Medicine. New York.
Erdrich L. (1994). The Bingo Palace. New York.
Erdrich L. (2004). The Four Souls. New York.
Erdrich L. (2001). The Last Report on the Miracle at Little No Horse. New York.
Erdrich L. (2020). The Night Watchman. New York.
Erdrich L. (2005). The Painted Drum. New York.
Erdrich L. (2012). The Round House. New York.
Erdrich L. (1988). Tracks. New York.
Eyre C. (1998). Smoke Signals (film).
Gondor-Wiercioch A. (2016). Pomiędzy rekonstrukcją a mitem. Role historii we współczesnej prozie rdzennych Amerykanów i Latino/a. Kraków.
Grassian D. (2005). Understanding Sherman Alexie. Chicago.
Gross L.W. (2005). The Trickster and the World Maintenance: An Anishinaabe Reading of Louise Erdrich’s Tracks. Studies in American Indian Literatures, vol. 17, no. 3, pp. 48–66.
Hogan L. (1998). Power. New York.
Hogan L. (1995). Solar Storms. New York.
Jones E.E. (2021). Reservation Dogs review – a stereotype-smashing, Tarantino-esque triumph. The Guardian, 13.10.2021 [https://www.theguardian.com/tv-and-radio/2021/oct/13/reserva­tion-dogs-review-a-stereotype-smashing-tarantino-esque-triumph; 6.11.2022].
Lincoln K. (1993). Indi’n Humor. Bicultural Play in Native America. Oxford.
Magoulick M. (2018). Trickster Lives in Erdrich: Continuity, Innovation, and Eloquence of a Trou­bling, Beloved Character. Journal of Folklore Research, vol. 55, no. 3, pp. 87–126.
Meyer S.N. (2019). “Poetry [Film] = Anger x Imagination” = Intermediality, the Synthesis of Poetry and Film, and Cross-Cultural Belonging in Sherman Alexie’s The Business of Fancydancing. The American Indian Quarterly, vol. 43, no. 1, pp. 36–73.
Mihelich J. (2001) Smoke or Signals? American Popular Culture and the Challenge to Hegemonic Images of American Indians in Native American Film. Wicazo Sa Review, vol. 16, no. 2, pp. 129–137.
Momaday N.S. (1968). House Made of Dawn. New York.
Moore D.L. (2006). Sherman Alexie: irony, intimacy and agency. In: J. Porter, K.M. Roemer (eds.). The Cambridge Companion to Native American Literature (pp. 287–310). Cambridge.
Orange T. (2018). There, There. New York.
Owens L. (1992). Other Destinies, Other Plots: Understanding the American Indian Novel. Norman, OK.
Peterson N.J. (2010). “If I were Jewish, how would I mourn the dead?”: Holocaust and Genocide in the Work of Sherman Alexie. MELUS: Multi-Ethnic Literature of the U.S., vol. 35, no. 3, pp. 63–84.
Porter J., Roemer K.M. (2006). The Cambridge Companion to Native American Literature. Cambridge.
Rainwater C. (2006). Louise Erdrich’s Storied Universe. In: J. Porter, K.M. Roemer (eds.). The Cambridge Companion to Native American Literature. Cambridge.
Rainwater C. (2000) Reading Between Worlds: Narrativity in the Fiction of Louise Erdrich. In: H.D. Sweet Wong (ed.). Louise Erdrich’s Love Medicine: A Casebook. Oxford.
Rainwater C. (1999). The Dreams of Fiery Stars. The Transformations of Native American Fic­tion. Philadelphia.
Silko L.M. (1977). Ceremony. New York.
Silko L.M. (1999). Gardens in the Dunes. New York.
Smiling Indians [https://www.youtube.com/watch?v=ga98brEf1AU; 1.05.2022].
St. Felix D. (2021). Reservation Dogs Is a Near Perfect Study of Dispossession. New Yorker, 20.08.2021 [https://www.newyorker.com/magazine/2021/09/27/reservation-dogs-is-a-near-perfect-study-of-dispossession; 6.11.2022].
Tellefsen B. (2005). America Is a Diet Pepsi: Sherman Alexie’s Reservation Blues. Western American Literature, vol. 40, no. 2, pp. 125–147.
Toth M.A. (2007). Decolonizing Pedagogy: Teaching Louise Erdrich’s The Bingo Palace. Studies in American Indian Literatures, vol. 19, no. 1, pp. 91–116.
Treuer D. (2019). The Heartbeat of Wounded Knee. Native America from 1890 to the Present. New York.
Waititi T., Harjo S. (2021). Reservation Dogs (film).
Welch J. (1986). Fools Crow. New York.
Vizenor G. (1994). Manifest Manners: Postindian Warriors of Survivance. Hannover.