@article{06861ed6-71a4-4b71-ab8b-2fed60f5f551,
author = {Atsushi Kumaki},
title = {The resistant voice: “Revolt against poetry” of Antonin Artaud and “poésie action” of Bernard Heidsieck
 },
journal = {Cahiers ERTA},
volume = {2016},
number = {Numéro 10 Actes de résistance II},
year = {2016},
issn = {2300-4681},
pages = {121-135},keywords = {20 th century; avant ‐ gardepoetry; soundpoetry; Antonin Artaud; Bernard Heidsieck},
abstract = {The purpose of this article is that Antonin Artaud’s poetic theory has exerted a great influence on the poetics of Bernard Heidsieck. Artaud says that the poet must revolt against poetry, that is to say, to create, the poet must resist something already existed before his creation: words. The poet has to resist words and texts. That is the principle of Artaud’s theory. Heidsieck understands well what is the matter of Artaud’s theory: to resist words and language, the poet should not abandon them but utilize them for inventing resistance. And it is the voice that resists the text and creates something. Artaud and Heidsieck, they discovered the special position of the voice in contemporary poetry.},
doi = {10.4467/23538953CE.16.020.6718},
url = {https://ejournals.eu/en/journal/cahiers-erta/article/la-voix-resistant-revolte-contre-la-poesie-dantonin-artaud-et-la-poesie-action-de-bernard-heidsieck}
}