@article{054495dd-de0d-4184-8df7-fe02d113c4fe,
author = {Christine York},
title = {Wersjonowanie i głos filmu w Kanadzie},
journal = {Przekładaniec},
volume = {2008},
number = {Issue 20 – O przekładzie audiowizualnym},
year = {2009},
issn = {1425-6851},
pages = {89-105},keywords = {},
abstract = {The National Film Board of Canada is a federal cultural agency that has participated
	in the wider discourses of Canadian society since its foundation in 1939, both as a producer
	of innovative, award-winning fi lms and as a key player in shaping national identities
	and engaging with government policy. While most research considers the NFB’s
	French-language and English-language productions as separate threads of its history,
	a translation studies perspective can draw attention to the versions of its fi lms and study
	the insights they offer as a specifi c practice within audiovisual translation. This article
	provides a brief overview of the NFB’s versioning history, evoking various translation
	issues that emerge over the decades. It then focuses on one documentary, the highly
	praised French-language feature fi lm Pour la suite du monde (For the Ones to Come)
	(Pierre Perrault and Michel Brault, 1963). Because both a voice-over and a subtitled
	version of this fi lm were produced, the two English versions can be compared to see
	how different translation strategies affect the voice of the fi lm – and that of the NFB,
	which comes through implicitly.},
doi = {},
url = {https://ejournals.eu/en/journal/przekladaniec/article/wersjonowanie-i-glos-filmu-w-kanadzie}
}