%0 Journal Article
%T Ut pictura poesis. From One plus One to the « Godardesques » in contemporary aesthetics
%A Lipiński, Kamil
%J Cahiers ERTA
%V 2024
%R 10.4467/23538953CE.24.020.20195
%N Numéro 39
%P 227-243
%K Jean-Luc Godard, ut pictura poesis, cinematographic heterotopia, Godardesque, Rolling Stones
%@ 2300-4681
%D 2024
%U https://ejournals.eu/en/journal/cahiers-erta/article/ut-pictura-poesis-de-one-plus-one-aux-godardesques-dans-lart-contemporain-iie-partie
%X The article deals with Jean-Luc Godard's interventions in the multimedia arts, known as « fraternal arts », and « ut pictura poesis » to reconsider the audiovisual juxtaposition of fiction and documentary in the film-collage of the modern period of end of the sixties and « cinema effects » in contemporary arts. It retraces some of the main elements of the film One plus One directed by Jean-Luc Godard and addresses its role and importance in the clandestine nature of artistic creation by revealing the interconnections between « musical history in the making » and the aesthetics of graffiti, Brechtian quote, and distancing (Verfremdungseffekt). In the second part, the essay draws on Burgin and Dubois to examine how the « cinema effect » (l’effet-cinéma) of the so-called « Godardesques » emerges in the context of contemporary museum installations. By approaching artistic works, our wish is to reveal the forms of reconstitution of the Godardian One plus One. These works loosely linked to classical cinema can be considered, following Burgin, as cinematic heterotopias.