@article{01917ee4-becc-71d7-ab34-0a453bae7230,
author = {Sylwia Kucharuk},
title = {“I once knew a madman who thought the end of the world had come”: The apocalypse in Matéi Visniec’s play Paparazzi ou La Chronique d’un lever de soleil avorté},
journal = {Romanica Cracoviensia},
volume = {Volume 24 (2024)},
number = {Volume 24, Issue 1},
year = {2024},
issn = {1732-8705},
pages = {25-33},keywords = {apocalypse; madness; consumer society; francophone theatre; Visniec; Beckett},
abstract = {Matéi Visniec’s play Paparazzi ou La Chronique d’un lever de soleil avorté presents a vision of the end of the world, brought about by the implosion of the Sun. The action of the dramatic play focuses on the protagonists’ reactions to the impending catastrophe, rather than on the apocalyptic event itself. Visniec uses the metaphor of the apocalypse as a tool to criticize society and its loss of values. He depicts how a consumer society can demoralize individuals, leading to their isolation and inability to engage in interpersonal communication.},
doi = {10.4467/20843917RC.24.003.19712},
url = {https://ejournals.eu/en/journal/romanica-cracoviensia/article/jai-connu-un-fou-qui-croyait-que-la-fin-du-monde-etait-arrivee-lapocalypse-dans-paparazzi-ou-la-chronique-dun-lever-de-soleil-avorte-de-matei-visniec}
}