%0 Journal Article
%T Wszystkie nasze strachy (Fears) – towards the Expression of Identity in the Context of the Religionless Christianity
%A Mazur, Daria
%J Studia Religiologica
%V 2023
%R 10.4467/20844077SR.23.010.19998
%N Volume 56 Issue 3
%P 19-33
%K religionless Christianity, the identity discourse, non-heteronormativity, Polish contemporary cinema
%@ 0137-2432
%D 2024
%U https://ejournals.eu/en/journal/studia-religiologica/article/wszystkie-nasze-strachy-w-strone-ekspresji-tozsamosci-w-kontekscie-bezreligijnego-chrzescijanstwa
%X The article is an attempt to combine film and theological thoughts in relation to the film Wszystkie nasze strachy, in which the protagonist is modeled on the contemporary Polish visual artist Daniel Rycharski. His declarations, experience, and attitude confirm the validity of using the tropes related to the elements of the concept of Dietrich Bonhoeffer’s religionless Christianity for analyzing the film. The concept provides arguments that expand the possibility to consider the film and the protagonist’s creation in the perspective of the postmodern identity discourse with the contents that correspond with the phenomena and processes inscribed in the postsecular tendencies. The interpretations presented in the article take into account the context of non-heteronormativity and the manifestations of homophobia in a small rural community presented in the story, and also focus on the category of relationality, contemplativeness, identification, and movement, as well as the antinomy of religion and faith and Christocentrism.