@article{018e9e46-8d34-7317-9dcf-405cbb289cd5,
author = {Wojciech Sternak},
title = {Photography in the Face of Cry of Remembrance on Genocide from Beneath the Concrete of Mass Tourism},
journal = {Arts & Cultural Studies Review},
volume = {2023},
number = {Issue 2 (55) Bio-aktywne rumowisko historii cz. II},
year = {2023},
issn = {1895-975X},
pages = {213-225},keywords = {`Holocaust; genocide; environmental history; environmental photography; fine art photography; documentary photography; Flusser; apparatus; alternative photographic processes; cyanotype; gum bichromate},
abstract = {In the text, I discuss the problems of the genocide experience in the context of mass tourism. I point out that large-scale Holocaust memorials and genocide museums incorporated into the mass-tourism industry are drowning out cries of remembrance. I propose three categories of commemoration: “Captions”, “Monuments” and “Stand-alone Works”. The latter category includes fine art photography among others. Using the case of the photographic series Koenigsgraben, I point out that the category of “Stand-alone Works” seems to have the greatest potential (next to historical enviro mental activeness) to free the cry of remembrance from beneath the concrete of the monuments.},
doi = {10.4467/20843860PK.23.014.18380},
url = {https://ejournals.eu/en/journal/przeglad-kulturoznawczy/article/fotografia-wobec-krzyku-pamieci-zaglady-spod-betonu-masowego-turyzmu}
}