@article{018e9e3f-de1a-71fd-a335-04f7f6bfb9b8,
author = {Krzysztof Bak, Dominik Dziedzic, Erik  Zillén, Elżbieta Żurawska},
title = {Carl Snoilsky’s Svenska bilder and Cultural Memory in the 19th Century},
journal = {Studia Litteraria Universitatis Iagellonicae Cracoviensis},
volume = {2023},
number = {Volume 18, Issue 1},
year = {2023},
issn = {1897-3035},
pages = {1-19},keywords = {Carl Snoilsky; Svenska bilder; Swedish cultural memory},
abstract = {This article presents the research project “Searching for a New National Identity: The Construction of Swedish Cultural Memory in Carl Snoilsky’s Poems Svenska bilder”, and functions as an introduction to the four subsequent articles in this issue of Studia Litteraria, which are the result of the project. The principal aim of the project was a comprehensive analysis of the construction of cultural memory in Carl Snoilsky’s cycle of poems Svenska bilder (Swedish Pictures) for many decades being part of the core canon of Swedish literature, but which remains largely forgotten today. In part one, the article outlines the complex process of the creation and publication of Svenska bilder. It also reviews the state of research on Snoilsky’s cycle, justifying the need for new theoretical perspectives. In part two, the article analyses ways in which national memory is portrayed in Svenska bilder at different intra- and extranarrative levels, arguing that cultural memory and its preservation are among the central themes of the cycle. In part three, the article illuminates the construction of cultural memory in Svenska bilder as an example of nineteenth-century European cultural memory. The article considers three features, typical of nineteenth-century collective memory culture, to be particularly important for Snoilsky’s poems: subjectivisation, historicisation, and nationalisation. In part four, the article discusses Svenska bilder as an attempt to democratise the model of Swedish national memory created by the Romantics. The article argues that the cultural memory in Svenska bilder in many ways reflects the liberal ideas of the second half of the nineteenth century advocated by Snoilsky. In part five, the article examines the place of Polishness in the construction of Swedish cultural memory in Svenska bilder. Although Snoilsky considered himself a friend of Poland and an advocate for the Polish independence movements, in his cycle he assigns Polishness the role of the negative Other that serves to consolidate a positively characterised Swedish national identity. The article concludes with a short presentation of the four articles that are the fruits of the presented project.

	* This research was funded by the Priority Research Area Heritage under the program Excellence Initiative – Research University at the Jagiellonian University in Krakow.

	** Translated from Swedish by Paweł Szkołut with the help from Gerri Kimber, Katarzyna Bazarnik, and Krzysztof Bak.},
doi = {10.4467/20843933ST.23.001.17671},
url = {https://ejournals.eu/en/journal/studia-litteraria-uic/article/carl-snoilskys-svenska-bilder-and-cultural-memory-in-the-19th-century}
}