@article{018e9e3f-25a9-736a-a085-5c2f90fa1a92,
author = {Dagna  Cichoń},
title = {“The Pulp of Reality” – Boredom as the Material of a Work Of Art in Tadeusz Kantor’s Theater},
journal = {Zoon Politikon},
volume = {2023},
number = {14/2023},
year = {2024},
issn = {2082-7806},
pages = {224-253},keywords = {Tadeusz Kantor; Cricot 2; theatre; pulp; boredom},
abstract = {The aim of this article is to try to interpret the meaning of boredom in Tadeusz Kantor’s theatre. I analyse fragments of three performances that were key to his artistic development: The Return of Odysseus (1944), as well as The Madman and the Nun (1963) and The Dead Class (1975). By juxtaposing different ways of understanding boredom, in a philosophical and literary perspective, with Kantor’s work, I will examine whether and in what sense we can speak of this phenomenon in relation to his theatre. Finally, I will try to show why Bruno Schulz’s ideas may help us to uncover the potential significance of Kantor’s „pulp of reality”.},
doi = {10.4467/2543408XZOP.23.009.19142},
url = {https://ejournals.eu/en/journal/zoon-politikon/article/miazga-rzeczywistosci-nuda-jako-materia-dziela-sztuki-w-teatrze-tadeusza-kantora}
}