@article{018e9e3e-bcad-7309-ac53-6a44a6288702,
author = {Cornelia Klettke},
title = {The Creative Act of the Writer-Painter},
journal = {Cahiers ERTA},
volume = {2023},
number = {Numéro 33},
year = {2023},
issn = {2300-4681},
pages = {139-157},keywords = {simulation; error as intentional; unique sign; incommunicable phantasm; simulacre},
abstract = {Klossowski, who had originally started as a religious seeker of truth in his younger years, will – after his « reversal » – feel himself invested with the role of a « heretic » struggling with the libidinous search for truth. Even as the creator of a perverted metaphysics, he remains a seeker of the revelation of being, now in the role of the divine « adversary » who, thrown back on himself, tends to imitate a religious mystic. The divine is replaced by the whispers of the demon, which Klossowski experiences as « la complicité d'une force "démonique" » in the creation of his artworks. The Diana myth becomes a parable for the act of artistic creation. Sexuality, understood as the primordial ground of creative force that shapes the signe unique, the phantasm, shifts metaphysics to « phantasmaphysics » (Foucault), in which the mystery of the divine is exposed as a delusion (Wahnbild).},
doi = {10.4467/23538953CE.23.006.17568},
url = {https://ejournals.eu/en/journal/cahiers-erta/article/pierre-klossowski-lacte-createur-de-lecrivain-peintre}
}