TY - JOUR
TI - From Rodenbach’s novel Bruges-la-morte to the opera Die Tote Stadt directed by Treliński: Sketch of a multilateral cultural transfer
AU - Bocianowski, Cécile
TI - From Rodenbach’s novel Bruges-la-morte to the opera Die Tote Stadt directed by Treliński: Sketch of a multilateral cultural transfer
AB - 
	This article analyses the multilateral dynamics of the cultural transfer phenomenon that leads from Bruges-la-morte novel by Georges Rodenbach to Mariusz Treliński’s staging of the opera Die Tote Stadt, by examining the mediators of the transfer, the exporting and receiving contexts, the appropriations and the rejections, to use the methodology of cultural transfers (Joyeux-Prunel 2003). The comparative analysis of the translations of the libretto and the Warsaw and Brussels stagings of the opera, as well as its Polish and Belgian reception, will shed light on the mechanisms of appropriation and re-semantisation of the work.

	* L’autrice aa bénéficié pour cette étude d’un financement octroyé par l’Agence nationale polonaise pour les échanges universitaires (The project co-financed by the Polish National Agency for Academic Exchange).
VL - Volume 22 (2022)
IS - Special Issue (2022)
PY - 2022
SN - 1732-8705
C1 - 2084-3917
SP - 439
EP - 448
DO - 10.4467/20843917RC.22.040.16694
UR - https://ejournals.eu/en/journal/romanica-cracoviensia/article/du-roman-bruges-la-morte-de-rodenbach-a-lopera-die-tote-stadt-mis-en-scene-par-trelinski-esquisse-dun-transfert-culturel-multilateral
KW - Georges Rodenbach
KW - Erich Korngold
KW - Mariusz Treliński
KW - Alfred Hitchcock
KW - Die Tote Stadt
KW - Bruges
KW - opera
KW - libretto
KW - film
KW - sheet music
KW - cultural transfer
KW - VR
KW - Covid-19