@article{018e9e37-1fb7-71f9-9bdd-92f533cd9b95,
author = {Renata Jakubczuk},
title = {“The flipside of an error”: The case of Amos or False Hopes by Anna Langfus},
journal = {Romanica Cracoviensia},
volume = {Volume 22 (2022)},
number = {Special Issue (2022)},
year = {2022},
issn = {1732-8705},
pages = {459-466},keywords = {Anna Langfus; theater; patterns of transitivity; to be and to seem (to appear},
abstract = {The current article is a preliminary sketch of the study of recurring motives found in the dramatic works of Anna Langfus. After a short presentation of the profile of the writer and the role of the theater in her life, we look into an unpublished play Amos ou les fausses espérances / Amos or False Hopes (1961). The concept of “patterns of transitivity”, proposed by Jean-Pierre Richard in Onze études sur la poésie moderne / Eleven Studies on Modern Poetry, is guiding our reading of Langfus’ play in this context.},
doi = {10.4467/20843917RC.22.042.16696},
url = {https://ejournals.eu/en/journal/romanica-cracoviensia/article/les-envers-dun-echec-le-cas-damos-ou-les-fausses-esperances-danna-langfus}
}